Vagabon expands tour dates, headlining shows in New York and Philadelphia – THE PARTAE

by the partae


Today, Vagabon has expanded her headlining tour to include shows in New York and Philadelphia in December and a performance at New York Fashion Week 2017, where she’ll be scoring the Ulla Johnson Fall runway show on 9/7. Vagabon was recently featured on the cover of the New York Times‘ Arts & Leisure section in a piece titled ‘Rock’s Not Dead, It’s Ruled by Women.’

Vagabon’s critically acclaimed debut album, Infinite Worlds, is available now on new colored vinyl via Vagabon’s new website and Father/Daughter Records.


9/7 – New York, NY @ Ulla Johnson Fall Fashion Show

9/12 – Providence, RI @ Columbus Theater #

9/13 – Portland, ME @ Space Gallery #

9/14 – Montreal, QC @ Pop Montreal

9/15 – Toronto, ON @ Smiling Buddha #

9/19 – Minneapolis, MN @ Triple Rock Social Club #

9/20 – Omaha, NE @ Reverb Lounge #

9/21 – Denver, CO @ Larimer Lounge #

9/22 – Salt Lake City, UT @ Kilby Court #

9/23 – Boise, ID @ Neurolux #

9/24 – Portland, OR @ Holocene #

9/25 – Vancouver, BC @ Fox Cabaret #

9/26 – Seattle, WA @ The Vera Project #

9/28 – San Francisco, CA @ Swedish American Hall #

9/29 – Santa Cruz,CA @ Crepe Place #

9/30 – Long Beach, CA @ Music Tastes Good

10/2 – Phoenix, AZ @ Rebel Lounge #

10/5 – Austin, TX @ Barracuda #

10/6 – Houston, TX @ Walter’s #

10/7 – New Orleans, LA @ Gasa Gasa #

10/8 – Atlanta, GA @ The Masquerade #

10/11 – Richmond, VA @ Strange Matter #

12/8 – Philadelphia, PA @ First Unitarian Church *

12/9 – New York, NY @ Bowery Ballroom *

# w/ Nnamdi Ogbonnaya

* w/ Cende


“Vagabon is an indie rock game changer…  Tamko’s voice is enormous but delicate, and she belts it with gusto.” –Pitchfork 

“Tamko is inspirational and relatable, offering her personal journey in music so openly, that it literally unfolds across Infinite Worlds.” –Billboard

“Tamko’s power as an artist and producer rests on her ability to describe small situations that convey a higher truth. They’re meditations on what it really feels like to be a person on the prowl for something bigger than what you’ve been given, denying what the heart wants for what the soul needs.” –Stereogum 

“The young New York artist builds mountains out of fragility.” –Consequence of Sound 


Within the songs of Laetitia Tamko there are infinite worlds: emotional spaces that grow wider with time, songs within songs that reveal themselves on each listen. Tamko is a multi-instrumentalist and a producer, recording since 2014 as Vagabon. On her Infinite Worlds debut (Father/Daughter Records), she hones her singular voice and vision with an unprecedented clarity.

“I feel so small / my feet can barely touch the floor / on the bus where everybody is tall,” she sings softly and with caution, as she begin the album with “The Embers.” Driving punk drums pry her song open, exploding it into an anthem that pushes back at entitled people who make others feel tiny. “I’m just a small fish / and you’re a shark that hates everything,” she sings, repeating that line and over and over with strength and power. “I’ve been hiding in the smallest space / I am dying to go / this is not my home,” Tamko starts carefully on “Fear & Force,” before her finger-picked guitar playing gives way to slow-building synth claps and ethereal harmonies. “Mal á L’aise” is one of the album’s focal points, a five-minute meditation of ambient dream pop, featuring Tamko’s usage of samples; some are samples from a Steve Sobs song on which Tamko was featured, enticing the one writing collaboration of the album. “Mal á L’aise” means “discomfort” in French, Tamko’s first language, and throughout the song she works through different meanings of that word: social, cultural, physical.

Infinite Worlds builds upon Tamko’s stripped-down demos that have been circulating online and throughout the independent music community for the past two years. Her Persian Garden cassette, released in 2014 via Miscreant Records, was a lo-fi collection where she embraced a first-thought best-thought approach, making songs that began with just her voice and guitar. But here, Tamko is the main performer of synths, keyboard, guitars, and drums, at times enlisting the work of session studio musicians. This had Tamko channeling the thoughtfulness of her lyricism into her arrangement and production as well. The result is a wide-ranging eight-song collection that’s pleasantly unclassifiable: hypnotic electronic collages, acoustic ballads, and bursts of bright punk sit side-by-side cohesively, all tied together by Tamko’s soaring voice.

“I write a lot about places, archiving my memories in spaces that I used to be in, spaces I am currently in, or spaces I will eventually be in” she says. “Archiving different moments that I’ve been thinking about, have gone through. It’s not always autobiographical though. It could be about different situations I’ve seen people I love in. Or people I don’t know in. I think that comes a lot from being in different environments.”

Infinite Worlds was recorded at Salvation Recording Co. in New Paltz, NY with engineer and co-producer Chris Daly. Tamko and Daly worked closely and tirelessly in his upstate NY studio through the winter into the spring of 2016. The album’s title references a book of poetry by Dana Ward called The Crisis of Infinite Worlds, a book Tamko found particularly inspiring during her recording process, but also very challenging to read: “I had to think critically while reading Dana Ward, it was exciting to be challenged in that way. While I was writing the album, it was a lot of me thinking critically about how to actualize my ideas, and the challenge of reaching proficiency in new instruments. It sort of mirrored my experience reading Dana Ward’s book. I found myself combing his writing over and over and over until I grabbed something from it.”

And as she sat with her songs, she found more and more.  “A lot of it is about finding a space for myself, whether it is physical, emotional, social” Tamko says. “It’s about finding that place where I feel most comfortable. And also finding that the confidence within myself can continue to grow. And finding what it takes for me to feel whole through making music.”

FEBRUARY 24, 2017
4. Mal á L’aise
5. 100 Years
6. Cleaning House
7. Cold Apartment
8. Alive And A Well


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