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Langhorne Slim

Music News

LANGHORNE SLIM REVEALS VIDEO FOR “LOST THIS TIME” VIA CARDINAL SESSIONS

by the partae December 12, 2017
written by the partae
LANGHORNE SLIM REVEALS VIDEO FOR “LOST THIS TIME” VIA CARDINAL SESSIONS WATCH HERE SPRING U.S. TOUR DATES CONFIRMED LOST AT LAST VOL. 1 OUT NOW
Langhorne Slim has released a video for “Lost This Time.”  The video debuted via Cardinal Sessions and of the track he notes “A few weeks back, Casey Jane, Joel Sadler, and I met up in New Orleans to shoot as many videos as we could in two days. On the final morning of the trip, Joel found the curtains dancing out by the porch of the Steamboat House where we were staying and kicked me outta bed to capture the moment * I’m glad he did. A brand new tune off of Lost at Last Vol 1 * Lost This Time * We hope y’all enjoy.” The single is taken from Lost at Last Vol. 1, his newest LP which was released via Dualtone on November 10. Watch “Lost This Time” here:
In support of Lost at Last Vol. 1, Langhorne Slim made an appearance on Conan for a spellbinding performance of his single “Life Is Confusing.” He was joined on stage by Casey Jane Reece-Kaigler and you can watch their performance here.  He also performed the album track “Never Break” as a web-exclusive for Team Coco, calling it his “love song for the entire world.” Watch that here.
Today, Langhorne Slim appears on Good Mythical Morning with Rhett & Link to perform “Zombie,” accompanied by Casey Jane Reece-Kaigler. Watch that here.
Previous to the release of Lost at Last Vol. 1, Langhorne Slim shared several singles and tracks by way of 3 EPs –  Never Break, Life Is Confusing and Funny Feelin’.  He has also released a music video for lead single “Zombie” and most recently for “Bluebird.” Both the LP and “Zombie” have enjoyed support from Americana and Triple A non-comm radio, and both entered those respective charts earlier this month.  Lost at Last Vol. 1 was produced by Kenny Siegal, Malachi DeLorenzo, and Langhorne Slim, and was recorded at Panoramic House Studio in Marin County, CA.
Langhorne Slim has enjoyed a long successful career dating back to his debut EP, Electric Love Letter. NPR has labeled him a “supercharged folksinger,” while he has likened his music to “country punk.” He has appeared on The Late Show With David Letterman and Conan, and has played numerous festivals including Newport Folk Fest, Bonnaroo and Lollapalooza. Lost at Last Vol. 1 marks his sixth studio album.
“The song gently weaves together swirling strings beneath Slim’s vocals, which add comforting compassion to what, in lesser hands, could sound like a flippant statement: ‘Life is confusing and people are insane.'” 
American Songwriter on “Life Is Confusing”
“(an) hilariously catchy folk song” Nerdist on “Zombie”
“Langhorne Slim is back with his incomparable folk music” Popmatters
“A bittersweet tune for all of the autumn-deniers.” –Baeble
“Slim’s voice- It’s pure, distinctly American, but without region, a twangy yodel always waiting at the back of his throat. It can go from a whisper to a raspy holler, but always remains trustworthy. A reliable, everyman guide through the many sounds and eras he traverses. 9.1/10” Paste
“Created spontaneously and collaboratively, LanghorneSlim’s new record, Lost at Last (Vol.1), might be his best yet.”  No Depression
“Langhorne’s penchant for hewing classic templates and turning them into honest and emotional narratives is fully vetted and focused, and here he lets loose with a sound as celebratory as it is straightforward… these songs find an instant connection” 9/10 Glide Magazine
Photo Credit: Joshua Black Wilkins
OUR DATES:
December 31 Asheville, NC – New Year’s Eve featuring The Lost at Last Band @ The Orange Peel
January 1 Nashville, TN – 4th Annual New Year’s with Langhorne Slim & Friends @ City Winery
January 31 – February 4 Cancun, MX @ Avetts At The Beach
February 17 Seattle, WA @ Fremont Abbey Arts Center*
February 18 Portland, OR @ Mississippi Studios*
February 22 Napa, CA @ Jam Cellars Ballroom*
February 23 Felton, CA @ Don Quixote’s*
February 27 Morro Bay, CA @ The Siren*
February 28 Los Angeles, CA @ Largo at the Coronet*
March 2 San Diego, CA @ Music Box*
March 3 Phoenix, AZ @ The Crescent Ballroom*
March 13 Evanston, IL @ SPACE
March 15 Ann Arbor, MI @ The Ark
March 16 Columbus, OH @ Rumba Cafe
March 17 Lexington, KY @ The Burl
March 20 Northampton, MA @ The Parlor Room
March 21 Portsmouth, NH @ 3S Artspace
March 22 Woodstock, NY @ The Colony Cafe
March 27 New York, NY @ City Winery
March 28 Alexandria, VA @ The Birchmere
March 30 Wilmington, DE @ The Queen Wilmington
March 31 Lancaster, PA @ Tellus360
* w/ Twain supporting
TRACK LISTING:
  1. Life is Confusing
  2. Old Things
  3. House of My Soul (you light the rooms)
  4. Ocean City (for may, jack and brother jon)
  5. Private Property
  6. Money Road Shuffle
  7. Never Break
  8. Bluebird
  9. Alligator Girl
  10. Funny Feelin’ (for junior kimbrough and ted hawkins)
  11. Zombie
  12. Lost This Time
  13. Better Man

MORE ABOUT

LOST AT LAST VOL.1:
As the phenomena of instant connection and the need for constant self-improvement further implant their tendrils into our culture, the ability to truly connect with each other and ourselves has begun to fade.  As we all reach for our smartphones to gaze upon the manufactured perfection of the lives of those we admire, we lose sight of what makes our own lives important. Nashville’s Langhorne Slim interlaces this theme throughout his new album. “Everyone’s searchin’ for something better around every corner, but it’s already right here,” Langhorne says. “We’re all born whole – through livin’ we fall apart…”
The songs on Langhorne Slim’s newest album, Lost at Last Vol. 1, out November 10, 2017, challenge the idea of social rigidity: the attitude that there’s a “correct” way for us to live and a side we should be on.  He urges the world to see through the idea that by following that path and focusing only on fitting the mold, one will have lived a good life.  He re-interprets the sound of the free-spirited yet vulnerable everyman heard on 2015’s The Spirit Moves and brings forth anew the call for us to abandon “the fold” and re-connect with ourselves and each other.
Langhorne Slim is no stranger to the world of popular culture and commercial success.  Lost At Last Vol. 1 is his sixth full-length album; throughout his career he has been defined by reflective songwriting and passionate delivery.Slim’s last album cycle alone garnered him his third appearance on Conan O’Brien’s late-night show, as well as a feature on CBS Saturday Morning, and the highest charting debut of his career.  O’Brien, a personal fan of Slim stated, “After one listen, I became an instant, almost obsessive fan.” Slim has consistently toured on his own, and has appeared on extensive worldwide runs throughout his career with artists such as The Lumineers, The Avett Brothers, Grace Potter & The Nocturnals, Gregory Alan Isakov, Josh Ritter, The Devil Makes Three, Sara Watkins, and more.  He’s also appeared on many festival stages, such as Bonnaroo, Newport Folk Festival, Outside Lands, Lollapalooza, and the Philadelphia Folk Festival.
Lost at Last Vol. 1 is a record that Langhorne wanted to do differently from the start.  “Almost immediately after recording our last record, The Spirit Moves,” Slim says, “I felt a deep desire to make another album. One that would take a step sideways in order to take a step forward; one that would be very personal and raw…in the making of this record, I made a deal with myself to trust my own voice and vision more than I ever have before, and to go willingly wherever it led.”
The title alone reflects his need to pen a great wealth of songs, as if the thoughts and inspiration took on a life of their own and just needed to come out.  Recorded over the span of around six months in New Orleans, Los Angeles, and Catskill, NY, and clocking in at about 34 minutes, it’s a short but intense listening experience.  Several songs are under two or three minutes long, but they pack vivid imagery into concise packages in a way that shows a significant diversion from the songwriting on his previous records.  Slim keeps his record-making in the family with this release; longtime band member Malachi DeLorenzo co-produced the record along with Kenny Siegal, and DeLorenzo also mixed several tracks in addition to playing drums on the record.
Slim reflects truths that we may or may not want to admit; in “Life is Confusing”, he muses that “life is confusing, and people are insane”.  He stands resolute in the face of trial: “…you could break my heart, but you’ll never break me,” he sings on “Never Break”.  He calls upon the listener during this time fraught with challenges to unplug from the trajectory our culture has deemed is “right” and find strength in our own vulnerability, in our own instincts.  “We look to our phones, drugs, sex whatever to find ourselves when it’s already right here,” Slim says. These songs join in the rallying call for the wild ones in us all.
December 12, 2017 0 comment
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Music News

Langhorne Slim shares “Bluebird” video; ‘Lost at Last Vol 1’ OUT NOW!

by the partae November 23, 2017
written by the partae

LANGHORNE SLIM SHARES VIDEO FOR “BLUEBIRD”

WATCH HERE

LOST AT LAST VOL. 1 OUT NOW WILL APPEAR ON CONANNOVEMBER 28TH

Today, Langhorne Slim releases his newest video, “Bluebird,” a song off his recently-released LP, Lost at Last Vol. 1 via Dualtone. The video for “Bluebird,” directed by Joel Sadler, is a live performance of the album track featuring the Lost Bayou Ramblers and Casey Jane while on a boat floating through a swamp at dusk.

WATCH “BLUEBIRD” HERE:

Conan, a long-time fan of Langhorne Slim, has invited him back to the show for a performance on November 28. Since announcing the album he has shared several singles and tracks by way of 3 EPs – Never Break, Life Is Confusing and most recently, Funny Feelin’ and has released a music video for lead single “Zombie.” Both the album and “Zombie” have enjoyed support from both Americana and Triple A non-comm radio, and both entered those respective charts earlier this month.

Lost at Last Vol. 1 is the follow up to 2015’s The Spirit Moves (Dualtone) which The Guardian praised for its “forehead vein bulging, raw and raucous delivery.” Lost at Last Vol. 1 was produced by Kenny Siegal, Malachi DeLorenzo, and Langhorne Slim, and was recorded at Panoramic House Studio in Marin County, CA.

Langhorne Slim has enjoyed a long successful career dating back to his debut EP, Electric Love Letter. NPR has labeled him a “supercharged folksinger” while he has likened his music to “country punk.” He hails from New Hope, PA.  Langhorne has appeared on The Late Show With David Letterman and Conan and has played numerous festivals including Newport Folk Fest, Bonnaroo and Lollapalooza. Lost at Last Vol. 1 marks his sixth studio album.

TOUR DATES:

Nov 30 – Coast Is Clear: A Concert for the Florida Keys in the Wake of Hurricane Irma – Key West, FL

Dec 31 – New Year’s Eve featuring special guests Mt. Davidson (Twain), Paul Defiglia (The War Eagles & The Avett Brothers), Case Jane (The Lostines) and more… – Ashville, NC

Jan 01 – 4th Annual New Year’s with Langhorne Slim & Friends at City Winery – Nashville, TN

Jan 31 – Feb 4 – Avetts At The Beach – Cancun, MX

TRACK LISTING:

  1. Life is Confusing
  2. Old Things
  3. House of My Soul (you light the rooms)
  4. Ocean City (for may, jack and brother jon)
  5. Private Property
  6. Money Road Shuffle
  7. Never Break
  8. Bluebird
  9. Alligator Girl
  10. Funny Feelin’ (for junior kimbrough and ted hawkins)
  11. Zombie
  12. Lost This Time
  13. Better Man

 

MORE ABOUT  

LOST AT LAST VOL.1:

As the phenomena of instant connection and the need for constant self-improvement further implant their tendrils into our culture, the ability to truly connect with each other and ourselves has begun to fade.  As we all reach for our smartphones to gaze upon the manufactured perfection of the lives of those we admire, we lose sight of what makes our own lives important. Nashville’s Langhorne Slim interlaces this theme throughout his new album. “Everyone’s searchin’ for something better around every corner, but it’s already right here,” Langhorne says. “We’re all born whole – through livin’ we fall apart…”

The songs on Langhorne Slim’s newest album, Lost at Last Vol. 1, out November 10, 2017, challenge the idea of social rigidity: the attitude that there’s a “correct” way for us to live and a side we should be on.  He urges the world to see through the idea that by following that path and focusing only on fitting the mold, one will have lived a good life.  He re-interprets the sound of the free-spirited yet vulnerable everyman heard on 2015’s The Spirit Moves and brings forth anew the call for us to abandon “the fold” and re-connect with ourselves and each other.

Langhorne Slim is no stranger to the world of popular culture and commercial success.  Lost At Last Vol. 1 is his sixth full-length album; throughout his career he has been defined by reflective songwriting and passionate delivery.Slim’s last album cycle alone garnered him his third appearance on Conan O’Brien’s late-night show, as well as a feature on CBS Saturday Morning, and the highest charting debut of his career.  O’Brien, a personal fan of Slim stated, “After one listen, I became an instant, almost obsessive fan.” Slim has consistently toured on his own, and has appeared on extensive worldwide runs throughout his career with artists such as The Lumineers, The Avett Brothers, Grace Potter & The Nocturnals, Gregory Alan Isakov, Josh Ritter, The Devil Makes Three, Sara Watkins, and more.  He’s also appeared on many festival stages, such as Bonnaroo, Newport Folk Festival, Outside Lands, Lollapalooza, and the Philadelphia Folk Festival.

Lost at Last Vol. 1 is a record that Langhorne wanted to do differently from the start.  “Almost immediately after recording our last record, The Spirit Moves,” Slim says, “I felt a deep desire to make another album. One that would take a step sideways in order to take a step forward; one that would be very personal and raw…in the making of this record, I made a deal with myself to trust my own voice and vision more than I ever have before, and to go willingly wherever it led.”

The title alone reflects his need to pen a great wealth of songs, as if the thoughts and inspiration took on a life of their own and just needed to come out.  Recorded over the span of around six months in New Orleans, Los Angeles, and Catskill, NY, and clocking in at about 34 minutes, it’s a short but intense listening experience.  Several songs are under two or three minutes long, but they pack vivid imagery into concise packages in a way that shows a significant diversion from the songwriting on his previous records.  Slim keeps his record-making in the family with this release; longtime band member Malachi DeLorenzo co-produced the record along with Kenny Siegal, and DeLorenzo also mixed several tracks in addition to playing drums on the record.

Slim reflects truths that we may or may not want to admit; in “Life is Confusing”, he muses that “life is confusing, and people are insane”.  He stands resolute in the face of trial: “…you could break my heart, but you’ll never break me,” he sings on “Never Break”.  He calls upon the listener during this time fraught with challenges to unplug from the trajectory our culture has deemed is “right” and find strength in our own vulnerability, in our own instincts.  “We look to our phones, drugs, sex whatever to find ourselves when it’s already right here,” Slim says. These songs join in the rallying call for the wild ones in us all.

Featured Photo Credit : Joshua Black Wilkins

November 23, 2017 0 comment
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Music News

Langhorne Slim’s ‘Lost at Last Vol 1 OUT TODAY!

by the partae November 15, 2017
written by the partae

 Langhorne Slim’s ‘Lost at Last Vol 1 OUT TODAY!

LANGHORNE SLIM RELEASES 
LOST AT LAST VOL. 1 
TODAY!
ENTERS THE TRIPLE A NON COMM & AMERICANA CHARTS
WILL APPEAR ON CONAN NOVEMBER 28TH

“The song gently weaves together swirling strings beneath Slim’s vocals, which add comforting compassion to what, in lesser hands, could sound like a flippant statement: ‘Life is confusing and people are insane.'” 

–American Songwriter

“Langhorne Slim is back with his incomparable folk music” -Popmatters

“A bittersweet tune for all of the autumn-deniers.” -Baeble

“Slim’s voice- It’s pure, distinctly American, but without region, a twangy yodel always waiting at the back of his throat. It can go from a whisper to a raspy holler, but always remains trustworthy. A reliable, everyman guide through the many sounds and eras he traverses. 9.1/10” –Paste

“From the opening strum of ‘Life Is Confusing,’ it’s clear that Langhorne Slim is on to something special here with Lost at Last Vol. 1. That ‘something’ becomes more evident as his new album progresses, seamlessly segueing from one song to another, a song cycle of sorts that explores Slim’s contention that we should not hold to the traditional dictates that define success or failure, but rather leave ourselves open to what life has to offer. 9/10” -Glide

Today, Langhorne Slim will releases his newest LP, Lost at Last Vol. 1 via Dualtone.  Since announcing the album he has shared several singles and tracks by way of 3 EPs – Never Break, Life Is Confusing and most recently, Funny Feelin‘ and has released a music video for lead single “Zombie.” Both the album and “Zombie” have enjoyed support from both Americana and Triple A non-comm radio, and both entered those respective charts this week. Tonight in his hometown of Nashville, Langhorne Slim will appear at Grimey’s New and Pre-loved Music at 6PM and on Monday at 2PM CST, Slim will also take questions from fans via a Reddit AMA. Langhorne Slim will also appear on CONAN on November 28th.

Lost at Last Vol. 1 is the follow up to 2015’s The Spirit Moves (Dualtone) which The Guardian praised for its “forehead vein bulging, raw and raucous delivery.” Lost at Last Vol. 1 was produced by Kenny Siegal, Malachi DeLorenzo, and Langhorne Slim, and was recorded at Panoramic House Studio in Marin County, CA.   

Langhorne Slim has enjoyed a long successful career dating back to his debut EP, Electric Love Letter. NPR has labeled him a “supercharged folksinger” while he has likened his music to “country punk.” He hails from New Hope, PA.  Langhorne has appeared on The Late Show With David Letterman and Conan and has played numerous festivals including Newport Folk Fest, Bonnaroo and Lollapalooza. Lost at Last Vol. 1 marks his sixth studio album. 

WATCH “ZOMBIE” HERE!

TOUR DATES:
Nov 10 – Grimey’s New and Pre-loved Music – Nashville, TN
Jan 31 – Feb 4 – Avetts At The Beach – Cancun, MX

TRACK LISTING:

  1. Life is Confusing
  2. Old Things
  3. House of My Soul (you light the rooms)
  4. Ocean City (for may, jack and brother jon)
  5. Private Property
  6. Money Road Shuffle
  7. Never Break
  8. Bluebird
  9. Alligator Girl
  10. Funny Feelin’ (for junior kimbrough and ted hawkins)
  11. Zombie
  12. Lost This Time
  13. Better Man

MORE ABOUT  

LOST AT LAST VOL.1:

As the phenomena of instant connection and the need for constant self-improvement further implant their tendrils into our culture, the ability to truly connect with each other and ourselves has begun to fade.  As we all reach for our smartphones to gaze upon the manufactured perfection of the lives of those we admire, we lose sight of what makes our own lives important. Nashville’s Langhorne Slim interlaces this theme throughout his new album. “Everyone’s searchin’ for something better around every corner, but it’s already right here,” Langhorne says. “We’re all born whole – through livin’ we fall apart…”

The songs on Langhorne Slim’s newest album, Lost at Last Vol. 1, out November 10, 2017, challenge the idea of social rigidity: the attitude that there’s a “correct” way for us to live and a side we should be on.  He urges the world to see through the idea that by following that path and focusing only on fitting the mold, one will have lived a good life.  He re-interprets the sound of the free-spirited yet vulnerable everyman heard on 2015’s The Spirit Moves and brings forth anew the call for us to abandon “the fold” and re-connect with ourselves and each other.

Langhorne Slim is no stranger to the world of popular culture and commercial success.  Lost At Last Vol. 1 is his sixth full-length album; throughout his career he has been defined by reflective songwriting and passionate delivery.Slim’s last album cycle alone garnered him his third appearance on Conan O’Brien’s late-night show, as well as a feature on CBS Saturday Morning, and the highest charting debut of his career.  O’Brien, a personal fan of Slim stated, “After one listen, I became an instant, almost obsessive fan.” Slim has consistently toured on his own, and has appeared on extensive worldwide runs throughout his career with artists such as The Lumineers, The Avett Brothers, Grace Potter & The Nocturnals, Gregory Alan Isakov, Josh Ritter, The Devil Makes Three, Sara Watkins, and more.  He’s also appeared on many festival stages, such as Bonnaroo, Newport Folk Festival, Outside Lands, Lollapalooza, and the Philadelphia Folk Festival.

Lost at Last Vol. 1 is a record that Langhorne wanted to do differently from the start.  “Almost immediately after recording our last record, The Spirit Moves,” Slim says, “I felt a deep desire to make another album. One that would take a step sideways in order to take a step forward; one that would be very personal and raw…in the making of this record, I made a deal with myself to trust my own voice and vision more than I ever have before, and to go willingly wherever it led.”

The title alone reflects his need to pen a great wealth of songs, as if the thoughts and inspiration took on a life of their own and just needed to come out.  Recorded over the span of around six months in New Orleans, Los Angeles, and Catskill, NY, and clocking in at about 34 minutes, it’s a short but intense listening experience.  Several songs are under two or three minutes long, but they pack vivid imagery into concise packages in a way that shows a significant diversion from the songwriting on his previous records.  Slim keeps his record-making in the family with this release; longtime band member Malachi DeLorenzo co-produced the record along with Kenny Siegal, and DeLorenzo also mixed several tracks in addition to playing drums on the record.

Slim reflects truths that we may or may not want to admit; in “Life is Confusing”, he muses that “life is confusing, and people are insane”.  He stands resolute in the face of trial: “…you could break my heart, but you’ll never break me,” he sings on “Never Break”.  He calls upon the listener during this time fraught with challenges to unplug from the trajectory our culture has deemed is “right” and find strength in our own vulnerability, in our own instincts.  “We look to our phones, drugs, sex whatever to find ourselves when it’s already right here,” Slim says. These songs join in the rallying call for the wild ones in us all.

AN ARTIST MANIFESTO:

In regard to Lost at Last Vol. 1 (why is stuff the way stuff is):

It’s always appeared clear to me, and perhaps many of you, that we’re trained from birth to see things in a particular light – to view certain ways of being as successes or failures. It broke my heart as a kid because I didn’t fit that mold and felt trapped, and it continues to confound and enrage me now as a man, because it’s so clearly narrow-minded and hopelessly limiting. Attaching one’s identity to the artificial and superficial as opposed to living in amazement, wonder and following our soul’s actual calling is a great human tragedy as I see it.  We shield our hearts and ignore our true inner voices to “fit in” and “follow the fold”, a path some old men came up with at some point that we follow to our graves. It makes us act instead of feel, which inevitably turns us cold and hard. In doing so, we lose our animal instinct, our natural ability to exist in a far more spiritual realm. There’s so much more than meets the eye!  We look to our phones, drugs, sex, whatever to find ourselves when it’s already right here.

The music on this record is an attempt to rebel against that form of living. To reconnect with ourselves and with each other. It ain’t hippie shit in my mind, it’s ancient shit. The soul or spirit’s apocalypse to me is the loss of natural instinct, compassion and love for ourselves, each other and the universe as a whole. To feel like we need a team or side to relate to in order to know ourselves. We diminish the wild from within and as a result, lose our connection to what’s real and wild around us. We put armor around our own divine independence. We smooth out our freak or “eccentric” tendencies to fit a mold that’s been sold to us. Go to school, get a “real” job, get married, have some kids and end it all off on a golf course in Boca if you’re lucky. Fuck that! In my own way, I pray for a soul or spiritual revolution where we disconnect from the horrible manufactured noise around us, and we re-learn to connect and love ourselves, each other and the universe as a whole: to look within. Everyone’s searchin’ for something better around every corner, but it’s already right here.  We’re all born whole, through livin’ we fall apart.

Almost immediately after recording our last record, The Spirit Moves, I felt a deep desire to make another album. One that would take a step sideways in order to take a step forward; one that would be very personal and raw. I had a handful of songs that didn’t fit on previous records and I didn’t wanna lose ’em. Not only that, but I wanted to write more songs like ’em. Folk kinda songs, sang and played as simply as I could muster. Nothing that couldn’t be effective with just me and a guitar. My initial instinct was to set up a tape machine in my living room, invite some friends over to accompany me, and press record. I longed for simplicity and rawness – I still do. I got to writing.  A few months later, I was at Newport Folk Festival. There I saw Patti Smith deliver one of the most punk rock performances I’ve ever witnessed – full of beauty, spit and LIFE! I withdrew to my rental car to reflect and shed a tear. At that moment, my old pal Dan drove by. He stopped his car and came to sit on the trunk of mine with me. I didn’t ask, but he began to tell me about a recording studio in Stinson Beach, California where one can view the ocean while recording – I liked the sound of that very much. A few months later, I booked that studio and called some friends to see if they’d join me.

In the making of this record, I made a deal with myself to trust my own voice and vision more than I ever have before, and to go willingly wherever it led. Most of my records have been road tested songs alongside my band of beautiful brothers, The Law (or previously The War Eagles).  For Lost at Last, I craved a looser approach where the musicians would learn the tunes more “on the spot” and play along with me live and spontaneously in a room all together as they were being recorded. I had an A-team in mind and called Casey Wayne McAllister (keys in The Law and ex-Hurray For The Riff Raff) to play organ, piano and anything else hewanted, Mt Davidson (Twain) one of my favorite musicians and songwriters of all time to play pedal steel, piano, guitar and also anything else he wanted, Paul Defiglia (original bass player in my band, The War Eagles / keys in The Avett Brothers) to play upright bass, Malachi DeLorenzo (drummer in my band since the beginning, and a beautiful producer who hasn’t gotten to produce as much as he’d like, as he’s been living in a van with me for the last 15 years) to co-produce and play percussion, and Kenny Siegel (co-producer of The Way We Move, The Spirit Moves and my often song writing collaborator). We holed up in a friend’s house in San Francisco to rehearse about twenty-five songs for five days and headed up to Stinson Beach to play ’em live in a room all together and press record.

The title Lost at Last is a hopeful, even joyful one. The only rule is to keep movin’. Perhaps if one feels found, they have nothing left to find. I’d prefer to stay a bit lost and continue searching.  The tragedy, I find, is that we close & shield our hearts because life is hard. The journey, I think is not only to remain open but to continually break through in order to become more vulnerable and sensitive, and in that, strong and mighty! I wanna shake off the conditioning: to live from the heart and not be ruled by a system of existing that keeps us fat and tired. It’s in the little prince, it’s in children, and in every great rock ‘n roll band, soul singer, hip hop artist, etc. that really gets it.  Never close, never break and never fall for the great scam. Love is the key. Love over gold. Love thyself and love each other. Getting lost is the cost of being free.

Miles Davis said, “Man, sometimes it takes you a long time to sound like yourself”

Rumi said, “You have to keep breaking your heart until it opens”.

Bob Dylan said, “An artist has to be careful never really to arrive at a place where he thinks he’s at somewhere. You always have to realize you’re in a constant state of becoming”.

Cat Stevens (one of my main influences for this record, especially the soundtrack to Harold and Maude) said, “I let my music take me where my heart wants to go”.

That’s beautiful and just the way it should be.

Thanks for reading and I hope you enjoy,

Slim

 

November 15, 2017 0 comment
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Langhorne Slim shares SPOOKY video for “Zombie.” Track off forthcoming LP “Lost At Last Vol. 1” – out November 10

by the partae November 2, 2017
written by the partae

LANGHORNE SLIM  SHARES VIDEO FOR “ZOMBIE” #1 MOST ADDED ALBUM AT AMERICANA LOST AT LAST VOL. 1 OUT NOVEMBER 10 VIA DUALTONE

Tuesday, October 31 — Today Langhorne Slim shares a music video for his single “Zombie.” The video was directed by Joshua Shoemaker and shot in Nashville, TN. It’s an absurdist take on a typical relationship music video where Slim dates a zombie and finds himself stumbling through horror tropes. Inspired by classic horror films such as Scream, Psycho and The Shining, the video premiered via Nerdist who note, “this folk ode to dating a Zombie is the perfect Halloween song.” 

WATCH “ZOMBIE” HERE!

On November 10th, Langhorne Slim will release his newest LP, Lost at Last Vol. 1 via Dualtone.  Since announcing the album he has shared several singles and tracks by way of 3 EPs –Never Break, Life Is Confusing and most recently, Funny Feelin‘. “Zombie” continues to enjoy support at Triple A and non-comm radio and is the #1 most added album at Americana with airplay from core stations like KCSN (Los Angeles), KCMP-The Current (Minneapolis), KDHX (St Louis), KTHX (Reno), KRSH (Santa Rosa), WMOT Roots Radio (Nashville), KPFT (Houston), WMNF (Tampa) and more. The single was recently featured as KCRW’s “Today’s Top Tune” and the single continues to receive support at stations across the country including WXPN (Philadelphia), Sirius XM The Loft, KJAC-The Colorado Sound (Denver), WRLT-Lightning 100 (Nashville), KEXP (Seattle), WYEP (Pittsburgh), WFUV (New York) and more. 
Lost at Last Vol. 1 is the follow up to 2015’s The Spirit Moves (Dualtone) which The Guardian praised for its “forehead vein bulging, raw and raucous delivery.” Lost at Last Vol. 1 was produced by Kenny Siegal, Malachi DeLorenzo, and Langhorne Slim, and was recorded at Panoramic House Studio in Marin County, CA.   
Langhorne Slim has enjoyed a long successful career dating back to his debut EP, Electric Love Letter. NPRhas labeled him a “supercharged folksinger” while he has likened his music to “country punk.” He hails from New Hope, PA and when not on the road he currently resides in Nashville, TN.  Langhorne has appeared on The Late Show With David Letterman and Conan and has played numerous festivals including Newport Folk Fest, Bonnaroo and Lollapalooza. Lost at Last Vol. 1 marks his sixth studio album. Fans can pre-order Lost at Last Vol. 1 here.
***
EARLY PRAISE FOR LOST AT LAST VOL. 1:
“The song gently weaves together swirling strings beneath Slim’s vocals, which add comforting compassion to what, in lesser hands, could sound like a flippant statement: ‘Life is confusing and people are insane.'” American Songwriter on “Life Is Confusing“
 
“Langhorne Slim is back with his incomparable folk music” Popmatters on “House Of My Soul (You Light The Rooms)” 
 
“A bittersweet tune for all of the autumn-deniers.” Baeble on “Ocean City (For May, Jack & Brother Jon)“
 
“We love Zombie” KCRW on “Zombie“
TOUR DATES:
Nov 3 – Boudin, Bourbon & Beer Festival – New Orleans, LA
Jan 31 – Feb 4 – Avetts At The Beach – Cancun, MX

Photo Credit: Joshua Black Wilkins

TRACK LISTING:

  1. Life is Confusing
  2. Old Things
  3. House of My Soul (you light the rooms)
  4. Ocean City (for may, jack and brother jon)
  5. Private Property
  6. Money Road Shuffle
  7. Never Break
  8. Bluebird
  9. Alligator Girl
  10. Funny Feelin’ (for junior kimbrough and ted hawkins)
  11. Zombie
  12. Lost This Time
  13. Better Man

MORE ABOUT  

LOST AT LAST VOL.1:

As the phenomena of instant connection and the need for constant self-improvement further implant their tendrils into our culture, the ability to truly connect with each other and ourselves has begun to fade.  As we all reach for our smartphones to gaze upon the manufactured perfection of the lives of those we admire, we lose sight of what makes our own lives important. Nashville’s Langhorne Slim interlaces this theme throughout his new album. “Everyone’s searchin’ for something better around every corner, but it’s already right here,” Langhorne says. “We’re all born whole – through livin’ we fall apart…”

The songs on Langhorne Slim’s newest album, Lost at Last Vol. 1, out November 10, 2017, challenge the idea of social rigidity: the attitude that there’s a “correct” way for us to live and a side we should be on.  He urges the world to see through the idea that by following that path and focusing only on fitting the mold, one will have lived a good life.  He re-interprets the sound of the free-spirited yet vulnerable everyman heard on 2015’s The Spirit Moves and brings forth anew the call for us to abandon “the fold” and re-connect with ourselves and each other.

Langhorne Slim is no stranger to the world of popular culture and commercial success.  Lost At Last Vol. 1 is his sixth full-length album; throughout his career he has been defined by reflective songwriting and passionate delivery.Slim’s last album cycle alone garnered him his third appearance on Conan O’Brien’s late-night show, as well as a feature on CBS Saturday Morning, and the highest charting debut of his career.  O’Brien, a personal fan of Slim stated, “After one listen, I became an instant, almost obsessive fan.” Slim has consistently toured on his own, and has appeared on extensive worldwide runs throughout his career with artists such as The Lumineers, The Avett Brothers, Grace Potter & The Nocturnals, Gregory Alan Isakov, Josh Ritter, The Devil Makes Three, Sara Watkins, and more.  He’s also appeared on many festival stages, such as Bonnaroo, Newport Folk Festival, Outside Lands, Lollapalooza, and the Philadelphia Folk Festival.

Lost at Last Vol. 1 is a record that Langhorne wanted to do differently from the start.  “Almost immediately after recording our last record, The Spirit Moves,” Slim says, “I felt a deep desire to make another album. One that would take a step sideways in order to take a step forward; one that would be very personal and raw…in the making of this record, I made a deal with myself to trust my own voice and vision more than I ever have before, and to go willingly wherever it led.”

The title alone reflects his need to pen a great wealth of songs, as if the thoughts and inspiration took on a life of their own and just needed to come out.  Recorded over the span of around six months in New Orleans, Los Angeles, and Catskill, NY, and clocking in at about 34 minutes, it’s a short but intense listening experience.  Several songs are under two or three minutes long, but they pack vivid imagery into concise packages in a way that shows a significant diversion from the songwriting on his previous records.  Slim keeps his record-making in the family with this release; longtime band member Malachi DeLorenzo co-produced the record along with Kenny Siegal, and DeLorenzo also mixed several tracks in addition to playing drums on the record.

Slim reflects truths that we may or may not want to admit; in “Life is Confusing”, he muses that “life is confusing, and people are insane”.  He stands resolute in the face of trial: “…you could break my heart, but you’ll never break me,” he sings on “Never Break”.  He calls upon the listener during this time fraught with challenges to unplug from the trajectory our culture has deemed is “right” and find strength in our own vulnerability, in our own instincts.  “We look to our phones, drugs, sex whatever to find ourselves when it’s already right here,” Slim says. These songs join in the rallying call for the wild ones in us all.

AN ARTIST MANIFESTO:

In regard to Lost at Last Vol. 1 (why is stuff the way stuff is):

It’s always appeared clear to me, and perhaps many of you, that we’re trained from birth to see things in a particular light – to view certain ways of being as successes or failures. It broke my heart as a kid because I didn’t fit that mold and felt trapped, and it continues to confound and enrage me now as a man, because it’s so clearly narrow-minded and hopelessly limiting. Attaching one’s identity to the artificial and superficial as opposed to living in amazement, wonder and following our soul’s actual calling is a great human tragedy as I see it.  We shield our hearts and ignore our true inner voices to “fit in” and “follow the fold”, a path some old men came up with at some point that we follow to our graves. It makes us act instead of feel, which inevitably turns us cold and hard. In doing so, we lose our animal instinct, our natural ability to exist in a far more spiritual realm. There’s so much more than meets the eye!  We look to our phones, drugs, sex, whatever to find ourselves when it’s already right here.

The music on this record is an attempt to rebel against that form of living. To reconnect with ourselves and with each other. It ain’t hippie shit in my mind, it’s ancient shit. The soul or spirit’s apocalypse to me is the loss of natural instinct, compassion and love for ourselves, each other and the universe as a whole. To feel like we need a team or side to relate to in order to know ourselves. We diminish the wild from within and as a result, lose our connection to what’s real and wild around us. We put armor around our own divine independence. We smooth out our freak or “eccentric” tendencies to fit a mold that’s been sold to us. Go to school, get a “real” job, get married, have some kids and end it all off on a golf course in Boca if you’re lucky. Fuck that! In my own way, I pray for a soul or spiritual revolution where we disconnect from the horrible manufactured noise around us, and we re-learn to connect and love ourselves, each other and the universe as a whole: to look within. Everyone’s searchin’ for something better around every corner, but it’s already right here.  We’re all born whole, through livin’ we fall apart.

Almost immediately after recording our last record, The Spirit Moves, I felt a deep desire to make another album. One that would take a step sideways in order to take a step forward; one that would be very personal and raw. I had a handful of songs that didn’t fit on previous records and I didn’t wanna lose ’em. Not only that, but I wanted to write more songs like ’em. Folk kinda songs, sang and played as simply as I could muster. Nothing that couldn’t be effective with just me and a guitar. My initial instinct was to set up a tape machine in my living room, invite some friends over to accompany me, and press record. I longed for simplicity and rawness – I still do. I got to writing.  A few months later, I was at Newport Folk Festival. There I saw Patti Smith deliver one of the most punk rock performances I’ve ever witnessed – full of beauty, spit and LIFE! I withdrew to my rental car to reflect and shed a tear. At that moment, my old pal Dan drove by. He stopped his car and came to sit on the trunk of mine with me. I didn’t ask, but he began to tell me about a recording studio in Stinson Beach, California where one can view the ocean while recording – I liked the sound of that very much. A few months later, I booked that studio and called some friends to see if they’d join me.

In the making of this record, I made a deal with myself to trust my own voice and vision more than I ever have before, and to go willingly wherever it led. Most of my records have been road tested songs alongside my band of beautiful brothers, The Law (or previously The War Eagles).  For Lost at Last, I craved a looser approach where the musicians would learn the tunes more “on the spot” and play along with me live and spontaneously in a room all together as they were being recorded. I had an A-team in mind and called Casey Wayne McAllister (keys in The Law and ex-Hurray For The Riff Raff) to play organ, piano and anything else hewanted, Mt Davidson (Twain) one of my favorite musicians and songwriters of all time to play pedal steel, piano, guitar and also anything else he wanted, Paul Defiglia (original bass player in my band, The War Eagles / keys in The Avett Brothers) to play upright bass, Malachi DeLorenzo (drummer in my band since the beginning, and a beautiful producer who hasn’t gotten to produce as much as he’d like, as he’s been living in a van with me for the last 15 years) to co-produce and play percussion, and Kenny Siegel (co-producer of The Way We Move, The Spirit Moves and my often song writing collaborator). We holed up in a friend’s house in San Francisco to rehearse about twenty-five songs for five days and headed up to Stinson Beach to play ’em live in a room all together and press record.

The title Lost at Last is a hopeful, even joyful one. The only rule is to keep movin’. Perhaps if one feels found, they have nothing left to find. I’d prefer to stay a bit lost and continue searching.  The tragedy, I find, is that we close & shield our hearts because life is hard. The journey, I think is not only to remain open but to continually break through in order to become more vulnerable and sensitive, and in that, strong and mighty! I wanna shake off the conditioning: to live from the heart and not be ruled by a system of existing that keeps us fat and tired. It’s in the little prince, it’s in children, and in every great rock ‘n roll band, soul singer, hip hop artist, etc. that really gets it.  Never close, never break and never fall for the great scam. Love is the key. Love over gold. Love thyself and love each other. Getting lost is the cost of being free.

Miles Davis said, “Man, sometimes it takes you a long time to sound like yourself”

Rumi said, “You have to keep breaking your heart until it opens”.

Bob Dylan said, “An artist has to be careful never really to arrive at a place where he thinks he’s at somewhere. You always have to realize you’re in a constant state of becoming”.

Cat Stevens (one of my main influences for this record, especially the soundtrack to Harold and Maude) said, “I let my music take me where my heart wants to go”.

That’s beautiful and just the way it should be.

Thanks for reading and I hope you enjoy,

Slim

 

November 2, 2017 0 comment
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Music News

Langhorne Slim shares three tracks off upcoming LP “Lost At Last Vol. 1” – out November 10

by the partae October 19, 2017
written by the partae

Langhorne Slim shares three tracks off upcoming LP “Lost At Last Vol. 1” – out November 10

LANGHORNE SLIM TO RELEASE FUNNY FEELIN’ EP!

“FUNNY FEELIN’ “

“BETTER MAN “

“PRIVATE PROPERTY “

TRACKS FROM FORTHCOMING LP, LOST AT LAST VOL. 1 TO BE RELEASED NOVEMBER 10 VIA DUALTONE

Langhorne Slim is pleased to share three new tracks off his upcoming album Lost at Last Vol. 1. “Funny Feelin’ (for junior kimbrough and ted hawkins)” premiered via Relix and Langhorne told the magazine, “I was in Catskill, NY working on new songs for Lost at Last Vol. 1 and decided one night to take the long drive from Catskill back to where I’m from in Pennsylvania to visit family. I listened to this incredible version of Junior Kimbrough’s “Meet Me in the City” and a ton of Ted Hawkins the whole way there. When I got to my mom’s place in the middle of the nigh 

t, I started playin this one. It’s an ode to both Junior and Ted. Two true masters. I hope I did ’em justice

 .”  As with the earlier singles he’s shared off the album, Langhorne is also revealing two additional tracks via the Funny Feelin’ EP.

LISTEN to “Funny Feelin’ (for junior kimbrough and ted hawkins)”

LISTEN to “Better Man” 

LISTEN to “Private Property”

Today’s singles are the follow up to the Life Is Confusing EP released in September and before that, the EP Never Break.  As with Funny Feelin’, the tracks are all taken from Lost at Last Vol. 1 which is being released on Dualtone November 10.

“the song gently weaves together swirling strings beneath Slim’s vocals, which add comforting compassion to what, in lesser hands, could sound like a flippant statement: ‘Life is confusing and people are insane.'”American Songwriter on “Life Is Confusing“

“Langhorne Slim is back with his incomparable folk music” Popmatters on “House Of My Soul (You Light The Rooms)” 

“a bittersweet tune for all of the autumn-deniers.” Baeble on “Ocean City (For May, Jack & Brother Jon)“

“We love Zombie” KCRW on “Zombie“

The reaction from Triple A radio has been favorable with continued support from key stations including KCRW/Los Angeles, KEXP/Seattle,  WXPN/Philadelphia, Sirius XM The Loft, KCMP/Minneapolis, KJAC/Denver, WRLT/Nashville, KTBG/Kansas City and many more.

TOUR DATES:

Nov 3 – Boudin, Bourbon & Beer Festival – New Orleans, LA

Jan 31 – Feb 4 – Avetts At The Beach – Cancun, MX

Fans can pre-order Lost at Last Vol. 1 here.

Langhorne Slim is no stranger to the road – Rolling Stone has noted he has “made a name for himself with insightful songwriting and off-the-rails live shows” – so it’s no surprise that he has toured throughout 2017 and the dates continue into next year (and beyond).

The upcoming Lost at Last Vol. 1 is the follow up to 2015’s The Spirit Moves (Dualtone) which The Guardianpraised for its “forehead vein bulging, raw and raucous delivery.” Lost at Last Vol. 1 was produced by Kenny Siegal, Malachi DeLorenzo, and Langhorne Slim, and was recorded at Panoramic House Studio in Marin County, CA.

Langhorne Slim has enjoyed a long successful career dating back to his debut EP, Electric Love Letter. NPRhas labeled him a “supercharged folksinger” while he has likened his music to “country punk.” He hails from New Hope, PA and when not on the road he currently resides in Nashville, TN.  Langhorne has appeared on The Late Show With David Letterman and Conan and has played numerous festivals including Newport Folk Fest, Bonnaroo and Lollapalooza. Lost at Last Vol. 1 marks his sixth studio album.

TRACK LISTING:

  1. Life is Confusing
  2. Old Things
  3. House of My Soul (you light the rooms)
  4. Ocean City (for may, jack and brother jon)
  5. Private Property
  6. Money Road Shuffle
  7. Never Break
  8. Bluebird
  9. Alligator Girl
  10. Funny Feelin’ (for junior kimbrough and ted hawkins)
  11. Zombie
  12. Lost This Time
  13. Better Man

MORE ABOUT  

LOST AT LAST VOL.1:

As the phenomena of instant connection and the need for constant self-improvement further implant their tendrils into our culture, the ability to truly connect with each other and ourselves has begun to fade.  As we all reach for our smartphones to gaze upon the manufactured perfection of the lives of those we admire, we lose sight of what makes our own lives important. Nashville’s Langhorne Slim interlaces this theme throughout his new album. “Everyone’s searchin’ for something better around every corner, but it’s already right here,” Langhorne says. “We’re all born whole – through livin’ we fall apart…”

The songs on Langhorne Slim’s newest album, Lost at Last Vol. 1, out November 10, 2017, challenge the idea of social rigidity: the attitude that there’s a “correct” way for us to live and a side we should be on.  He urges the world to see through the idea that by following that path and focusing only on fitting the mold, one will have lived a good life.  He re-interprets the sound of the free-spirited yet vulnerable everyman heard on 2015’s The Spirit Moves and brings forth anew the call for us to abandon “the fold” and re-connect with ourselves and each other.

Langhorne Slim is no stranger to the world of popular culture and commercial success.  Lost At Last Vol. 1 is his sixth full-length album; throughout his career he has been defined by reflective songwriting and passionate delivery.Slim’s last album cycle alone garnered him his third appearance on Conan O’Brien’s late-night show, as well as a feature on CBS Saturday Morning, and the highest charting debut of his career.  O’Brien, a personal fan of Slim stated, “After one listen, I became an instant, almost obsessive fan.” Slim has consistently toured on his own, and has appeared on extensive worldwide runs throughout his career with artists such as The Lumineers, The Avett Brothers, Grace Potter & The Nocturnals, Gregory Alan Isakov, Josh Ritter, The Devil Makes Three, Sara Watkins, and more.  He’s also appeared on many festival stages, such as Bonnaroo, Newport Folk Festival, Outside Lands, Lollapalooza, and the Philadelphia Folk Festival.

Lost at Last Vol. 1 is a record that Langhorne wanted to do differently from the start.  “Almost immediately after recording our last record, The Spirit Moves,” Slim says, “I felt a deep desire to make another album. One that would take a step sideways in order to take a step forward; one that would be very personal and raw…in the making of this record, I made a deal with myself to trust my own voice and vision more than I ever have before, and to go willingly wherever it led.”

The title alone reflects his need to pen a great wealth of songs, as if the thoughts and inspiration took on a life of their own and just needed to come out.  Recorded over the span of around six months in New Orleans, Los Angeles, and Catskill, NY, and clocking in at about 34 minutes, it’s a short but intense listening experience.  Several songs are under two or three minutes long, but they pack vivid imagery into concise packages in a way that shows a significant diversion from the songwriting on his previous records.  Slim keeps his record-making in the family with this release; longtime band member Malachi DeLorenzo co-produced the record along with Kenny Siegal, and DeLorenzo also mixed several tracks in addition to playing drums on the record.

Slim reflects truths that we may or may not want to admit; in “Life is Confusing”, he muses that “life is confusing, and people are insane”.  He stands resolute in the face of trial: “…you could break my heart, but you’ll never break me,” he sings on “Never Break”.  He calls upon the listener during this time fraught with challenges to unplug from the trajectory our culture has deemed is “right” and find strength in our own vulnerability, in our own instincts.  “We look to our phones, drugs, sex whatever to find ourselves when it’s already right here,” Slim says. These songs join in the rallying call for the wild ones in us all.

An Artist Manifesto:

In regard to Lost at Last Vol. 1 (why is stuff the way stuff is):

It’s always appeared clear to me, and perhaps many of you, that we’re trained from birth to see things in a particular light – to view certain ways of being as successes or failures. It broke my heart as a kid because I didn’t fit that mold and felt trapped, and it continues to confound and enrage me now as a man, because it’s so clearly narrow-minded and hopelessly limiting. Attaching one’s identity to the artificial and superficial as opposed to living in amazement, wonder and following our soul’s actual calling is a great human tragedy as I see it.  We shield our hearts and ignore our true inner voices to “fit in” and “follow the fold”, a path some old men came up with at some point that we follow to our graves. It makes us act instead of feel, which inevitably turns us cold and hard. In doing so, we lose our animal instinct, our natural ability to exist in a far more spiritual realm. There’s so much more than meets the eye!  We look to our phones, drugs, sex, whatever to find ourselves when it’s already right here.

The music on this record is an attempt to rebel against that form of living. To reconnect with ourselves and with each other. It ain’t hippie shit in my mind, it’s ancient shit. The soul or spirit’s apocalypse to me is the loss of natural instinct, compassion and love for ourselves, each other and the universe as a whole. To feel like we need a team or side to relate to in order to know ourselves. We diminish the wild from within and as a result, lose our connection to what’s real and wild around us. We put armor around our own divine independence. We smooth out our freak or “eccentric” tendencies to fit a mold that’s been sold to us. Go to school, get a “real” job, get married, have some kids and end it all off on a golf course in Boca if you’re lucky. Fuck that! In my own way, I pray for a soul or spiritual revolution where we disconnect from the horrible manufactured noise around us, and we re-learn to connect and love ourselves, each other and the universe as a whole: to look within. Everyone’s searchin’ for something better around every corner, but it’s already right here.  We’re all born whole, through livin’ we fall apart.

Almost immediately after recording our last record, The Spirit Moves, I felt a deep desire to make another album. One that would take a step sideways in order to take a step forward; one that would be very personal and raw. I had a handful of songs that didn’t fit on previous records and I didn’t wanna lose ’em. Not only that, but I wanted to write more songs like ’em. Folk kinda songs, sang and played as simply as I could muster. Nothing that couldn’t be effective with just me and a guitar. My initial instinct was to set up a tape machine in my living room, invite some friends over to accompany me, and press record. I longed for simplicity and rawness – I still do. I got to writing.  A few months later, I was at Newport Folk Festival. There I saw Patti Smith deliver one of the most punk rock performances I’ve ever witnessed – full of beauty, spit and LIFE! I withdrew to my rental car to reflect and shed a tear. At that moment, my old pal Dan drove by. He stopped his car and came to sit on the trunk of mine with me. I didn’t ask, but he began to tell me about a recording studio in Stinson Beach, California where one can view the ocean while recording – I liked the sound of that very much. A few months later, I booked that studio and called some friends to see if they’d join me.

In the making of this record, I made a deal with myself to trust my own voice and vision more than I ever have before, and to go willingly wherever it led. Most of my records have been road tested songs alongside my band of beautiful brothers, The Law (or previously The War Eagles).  For Lost at Last, I craved a looser approach where the musicians would learn the tunes more “on the spot” and play along with me live and spontaneously in a room all together as they were being recorded. I had an A-team in mind and called Casey Wayne McAllister (keys in The Law and ex-Hurray For The Riff Raff) to play organ, piano and anything else hewanted, Mt Davidson (Twain) one of my favorite musicians and songwriters of all time to play pedal steel, piano, guitar and also anything else he wanted, Paul Defiglia (original bass player in my band, The War Eagles / keys in The Avett Brothers) to play upright bass, Malachi DeLorenzo (drummer in my band since the beginning, and a beautiful producer who hasn’t gotten to produce as much as he’d like, as he’s been living in a van with me for the last 15 years) to co-produce and play percussion, and Kenny Siegel (co-producer of The Way We Move, The Spirit Moves and my often song writing collaborator). We holed up in a friend’s house in San Francisco to rehearse about twenty-five songs for five days and headed up to Stinson Beach to play ’em live in a room all together and press record.

The title Lost at Last is a hopeful, even joyful one. The only rule is to keep movin’. Perhaps if one feels found, they have nothing left to find. I’d prefer to stay a bit lost and continue searching.  The tragedy, I find, is that we close & shield our hearts because life is hard. The journey, I think is not only to remain open but to continually break through in order to become more vulnerable and sensitive, and in that, strong and mighty! I wanna shake off the conditioning: to live from the heart and not be ruled by a system of existing that keeps us fat and tired. It’s in the little prince, it’s in children, and in every great rock ‘n roll band, soul singer, hip hop artist, etc. that really gets it.  Never close, never break and never fall for the great scam. Love is the key. Love over gold. Love thyself and love each other. Getting lost is the cost of being free.

Miles Davis said, “Man, sometimes it takes you a long time to sound like yourself”

Rumi said, “You have to keep breaking your heart until it opens”.

Bob Dylan said, “An artist has to be careful never really to arrive at a place where he thinks he’s at somewhere. You always have to realize you’re in a constant state of becoming”.

Cat Stevens (one of my main influences for this record, especially the soundtrack to Harold and Maude) said, “I let my music take me where my heart wants to go”.

That’s beautiful and just the way it should be.

Thanks for reading and I hope you enjoy,

Slim

 

October 19, 2017 0 comment
0 FacebookTwitterPinterestEmail
Music News

Langhorne Slim reveals three new tracks from upcoming LP “Lost At Last Vol. 1” – out November 10

by the partae September 29, 2017
written by the partae

LANGHORNE SLIM SHARES THREE NEW TRACKS VIA LIFE IS CONFUSING EP!

 “LIFE IS CONFUSING”
“HOUSE OF MY SOUL (YOU LIGHT THE ROOMS)“

“OCEAN CITY (FOR MAY, JACK & BROTHER JON)“

 SINGLES OFF UPCOMING NEW LP, LOST AT LAST VOL. 1 SET FOR RELEASE NOVEMBER 10 VIA DUALTONE

ON TOUR NOW

On the heels of a sold-out show at New York City‘s Bowery Ballroom, Langhorne Slim has shared three new tracks off his his upcoming album Lost at Last Vol. 1 slated for release on November 10 via Dualtone. Today American Songwriter premiered “Life Is Confusing” saying “the song gently weaves together swirling strings beneath Slim’s vocals, which add comforting compassion to what, in lesser hands, could sound like a flippant statement: ‘Life is confusing and people are insane.'”  Read what Langhorne told them about the single here.  Also today, PopMatters shared “House Of My Soul (You Light The Rooms)” saying “Langhorne Slim is back with his incomparable folk music”   Click here for their full write-up. Yesterday saw Baeble debut “Ocean City (For May, Jack & Brother Jon)” which they called “a bittersweet tune for all of the autumn-deniers.”  Their full post is here.  All three songs are available as the Life Is Confusing EP which you can listen to here.

LISTEN to “Life Is Confusing”

LISTEN to “Ocean City (For May, Jack & Brother Jon)”

LISTEN to “House of My Soul (You Light The Rooms)”

These three tracks are the follow up to “Zombie,” which Langhorne released earlier this month. Calling him a “folk-punker” Paste noted “the main vein of the song is unrequited love” and American Songwriter said it has “the characteristic folk sound and the clever lyrics he has come to be known for.” The early reaction from Triple A radio has been favorable with support from key stations including KCRW/Los Angeles, KEXP/Seattle,  WXPN/Philadelphia, Sirius XM The Loft, KCMP/Minneapolis, KJAC/Denver, WRLT/Nashville, KTBG/Kansas City and many more.  In addition to “Zombie” Slim shared two other tracks from the Lost at Last Vol. 1, – “Never Break” and “Old Things” – as the Never Break  EP.

Langhorne Slim has spent the summer touring and has the following remaining dates on the schedule with more to be announced soon.

TOUR DATES:

Sept 28 – Union Transfer – Philadelphia, PA

Sept 30 – Devil’s Backbone Hoopla – Roseland, VA

Oct 1 – Neptune Festival – Virginia Beach, VA

Nov 3 – Boudin, Bourbon & Beer Festival – New Orleans, LA

Jan 31 – Feb 4 – Avetts At The Beach – Cancun, MX

Fans can pre-order Lost at Last Vol. 1 here.

Langhorne Slim is no stranger to the road – Rolling Stone has noted he has “made a name for himself with insightful songwriting and off-the-rails live shows” – so it’s no surprise that he has toured throughout 2017 and the dates continue into next year (and beyond).

The upcoming Lost at Last Vol. 1 is the follow up to 2015’s The Spirit Moves (Dualtone) which The Guardianpraised for its “forehead vein bulging, raw and raucous delivery.” Lost at Last Vol. 1 was produced by Kenny Siegal, Malachi DeLorenzo, and Langhorne Slim, and was recorded at Panoramic House Studio in Marin County, CA.

Langhorne Slim has enjoyed a long successful career dating back to his debut EP, Electric Love Letter. NPRhas labeled him a “supercharged folksinger” while he has likened his music to “country punk.” He hails from New Hope, PA and when not on the road he currently resides in Nashville, TN.  Langhorne has appeared on The Late Show With David Letterman and Conan and has played numerous festivals including Newport Folk Fest, Bonnaroo and Lollapalooza. Lost at Last Vol. 1 marks his sixth studio album.

TRACK LISTING:

  1. Life is Confusing
  2. Old Things
  3. House of My Soul (you light the rooms)
  4. Ocean City (for may, jack and brother jon)
  5. Private Property
  6. Money Road Shuffle
  7. Never Break
  8. Bluebird
  9. Alligator Girl
  10. Funny Feelin’ (for junior kimbrough and ted hawkins)
  11. Zombie
  12. Lost This Time
  13. Better Man

MORE ABOUT  

LOST AT LAST VOL.1:

As the phenomena of instant connection and the need for constant self-improvement further implant their tendrils into our culture, the ability to truly connect with each other and ourselves has begun to fade.  As we all reach for our smartphones to gaze upon the manufactured perfection of the lives of those we admire, we lose sight of what makes our own lives important. Nashville’s Langhorne Slim interlaces this theme throughout his new album. “Everyone’s searchin’ for something better around every corner, but it’s already right here,” Langhorne says. “We’re all born whole – through livin’ we fall apart…”

The songs on Langhorne Slim’s newest album, Lost at Last Vol. 1, out November 10, 2017, challenge the idea of social rigidity: the attitude that there’s a “correct” way for us to live and a side we should be on.  He urges the world to see through the idea that by following that path and focusing only on fitting the mold, one will have lived a good life.  He re-interprets the sound of the free-spirited yet vulnerable everyman heard on 2015’s The Spirit Moves and brings forth anew the call for us to abandon “the fold” and re-connect with ourselves and each other.

Langhorne Slim is no stranger to the world of popular culture and commercial success.  Lost At Last Vol. 1 is his sixth full-length album; throughout his career he has been defined by reflective songwriting and passionate delivery.Slim’s last album cycle alone garnered him his third appearance on Conan O’Brien’s late-night show, as well as a feature on CBS Saturday Morning, and the highest charting debut of his career.  O’Brien, a personal fan of Slim stated, “After one listen, I became an instant, almost obsessive fan.” Slim has consistently toured on his own, and has appeared on extensive worldwide runs throughout his career with artists such as The Lumineers, The Avett Brothers, Grace Potter & The Nocturnals, Gregory Alan Isakov, Josh Ritter, The Devil Makes Three, Sara Watkins, and more.  He’s also appeared on many festival stages, such as Bonnaroo, Newport Folk Festival, Outside Lands, Lollapalooza, and the Philadelphia Folk Festival.

Lost at Last Vol. 1 is a record that Langhorne wanted to do differently from the start.  “Almost immediately after recording our last record, The Spirit Moves,” Slim says, “I felt a deep desire to make another album. One that would take a step sideways in order to take a step forward; one that would be very personal and raw…in the making of this record, I made a deal with myself to trust my own voice and vision more than I ever have before, and to go willingly wherever it led.”

The title alone reflects his need to pen a great wealth of songs, as if the thoughts and inspiration took on a life of their own and just needed to come out.  Recorded over the span of around six months in New Orleans, Los Angeles, and Catskill, NY, and clocking in at about 34 minutes, it’s a short but intense listening experience.  Several songs are under two or three minutes long, but they pack vivid imagery into concise packages in a way that shows a significant diversion from the songwriting on his previous records.  Slim keeps his record-making in the family with this release; longtime band member Malachi DeLorenzo co-produced the record along with Kenny Siegal, and DeLorenzo also mixed several tracks in addition to playing drums on the record.

Slim reflects truths that we may or may not want to admit; in “Life is Confusing”, he muses that “life is confusing, and people are insane”.  He stands resolute in the face of trial: “…you could break my heart, but you’ll never break me,” he sings on “Never Break”.  He calls upon the listener during this time fraught with challenges to unplug from the trajectory our culture has deemed is “right” and find strength in our own vulnerability, in our own instincts.  “We look to our phones, drugs, sex whatever to find ourselves when it’s already right here,” Slim says. These songs join in the rallying call for the wild ones in us all.

An Artist Manifesto:

In regard to Lost at Last Vol. 1 (why is stuff the way stuff is):

It’s always appeared clear to me, and perhaps many of you, that we’re trained from birth to see things in a particular light – to view certain ways of being as successes or failures. It broke my heart as a kid because I didn’t fit that mold and felt trapped, and it continues to confound and enrage me now as a man, because it’s so clearly narrow-minded and hopelessly limiting. Attaching one’s identity to the artificial and superficial as opposed to living in amazement, wonder and following our soul’s actual calling is a great human tragedy as I see it.  We shield our hearts and ignore our true inner voices to “fit in” and “follow the fold”, a path some old men came up with at some point that we follow to our graves. It makes us act instead of feel, which inevitably turns us cold and hard. In doing so, we lose our animal instinct, our natural ability to exist in a far more spiritual realm. There’s so much more than meets the eye!  We look to our phones, drugs, sex, whatever to find ourselves when it’s already right here.

The music on this record is an attempt to rebel against that form of living. To reconnect with ourselves and with each other. It ain’t hippie shit in my mind, it’s ancient shit. The soul or spirit’s apocalypse to me is the loss of natural instinct, compassion and love for ourselves, each other and the universe as a whole. To feel like we need a team or side to relate to in order to know ourselves. We diminish the wild from within and as a result, lose our connection to what’s real and wild around us. We put armor around our own divine independence. We smooth out our freak or “eccentric” tendencies to fit a mold that’s been sold to us. Go to school, get a “real” job, get married, have some kids and end it all off on a golf course in Boca if you’re lucky. Fuck that! In my own way, I pray for a soul or spiritual revolution where we disconnect from the horrible manufactured noise around us, and we re-learn to connect and love ourselves, each other and the universe as a whole: to look within. Everyone’s searchin’ for something better around every corner, but it’s already right here.  We’re all born whole, through livin’ we fall apart.

Almost immediately after recording our last record, The Spirit Moves, I felt a deep desire to make another album. One that would take a step sideways in order to take a step forward; one that would be very personal and raw. I had a handful of songs that didn’t fit on previous records and I didn’t wanna lose ’em. Not only that, but I wanted to write more songs like ’em. Folk kinda songs, sang and played as simply as I could muster. Nothing that couldn’t be effective with just me and a guitar. My initial instinct was to set up a tape machine in my living room, invite some friends over to accompany me, and press record. I longed for simplicity and rawness – I still do. I got to writing.  A few months later, I was at Newport Folk Festival. There I saw Patti Smith deliver one of the most punk rock performances I’ve ever witnessed – full of beauty, spit and LIFE! I withdrew to my rental car to reflect and shed a tear. At that moment, my old pal Dan drove by. He stopped his car and came to sit on the trunk of mine with me. I didn’t ask, but he began to tell me about a recording studio in Stinson Beach, California where one can view the ocean while recording – I liked the sound of that very much. A few months later, I booked that studio and called some friends to see if they’d join me.

In the making of this record, I made a deal with myself to trust my own voice and vision more than I ever have before, and to go willingly wherever it led. Most of my records have been road tested songs alongside my band of beautiful brothers, The Law (or previously The War Eagles).  For Lost at Last, I craved a looser approach where the musicians would learn the tunes more “on the spot” and play along with me live and spontaneously in a room all together as they were being recorded. I had an A-team in mind and called Casey Wayne McAllister (keys in The Law and ex-Hurray For The Riff Raff) to play organ, piano and anything else hewanted, Mt Davidson (Twain) one of my favorite musicians and songwriters of all time to play pedal steel, piano, guitar and also anything else he wanted, Paul Defiglia (original bass player in my band, The War Eagles / keys in The Avett Brothers) to play upright bass, Malachi DeLorenzo (drummer in my band since the beginning, and a beautiful producer who hasn’t gotten to produce as much as he’d like, as he’s been living in a van with me for the last 15 years) to co-produce and play percussion, and Kenny Siegel (co-producer of The Way We Move, The Spirit Moves and my often song writing collaborator). We holed up in a friend’s house in San Francisco to rehearse about twenty-five songs for five days and headed up to Stinson Beach to play ’em live in a room all together and press record.

The title Lost at Last is a hopeful, even joyful one. The only rule is to keep movin’. Perhaps if one feels found, they have nothing left to find. I’d prefer to stay a bit lost and continue searching.  The tragedy, I find, is that we close & shield our hearts because life is hard. The journey, I think is not only to remain open but to continually break through in order to become more vulnerable and sensitive, and in that, strong and mighty! I wanna shake off the conditioning: to live from the heart and not be ruled by a system of existing that keeps us fat and tired. It’s in the little prince, it’s in children, and in every great rock ‘n roll band, soul singer, hip hop artist, etc. that really gets it.  Never close, never break and never fall for the great scam. Love is the key. Love over gold. Love thyself and love each other. Getting lost is the cost of being free.

Miles Davis said, “Man, sometimes it takes you a long time to sound like yourself”

Rumi said, “You have to keep breaking your heart until it opens”.

Bob Dylan said, “An artist has to be careful never really to arrive at a place where he thinks he’s at somewhere. You always have to realize you’re in a constant state of becoming”.

Cat Stevens (one of my main influences for this record, especially the soundtrack to Harold and Maude) said, “I let my music take me where my heart wants to go”.

That’s beautiful and just the way it should be.

Thanks for reading and I hope you enjoy,

Slim

 

September 29, 2017 0 comment
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