Shares new single ‘The Calm Before’ via Stereogum
Track taken from brand new album ‘Resolve’ out early 2018
One Little Indian Records
“Poppy Ackroyd can conjure whole worlds of sound out of the barest essentials.”
“It’s a beautiful, elongated five minutes or so and Ackroyd makes the whole thing seem completely effortless.”
Line of Best Fit
“It’s great to see the minimal music of pianist Poppy Ackroyd getting some love”
London In Stereo
“…a musical talent that straddles both old and new, harnessing the power and range of two very versatile instruments along with innovative use of samples and manipulation through technology. A must for fans of Silvain Chauveau, Dustin O’Halloran and Max Richter.”
“A composer of real talent, she’s able to work in softly advancing measures, tackling each project with real finesse.”
“Clicking, whirring, and lots of other onomatapoeia-ing goes on as soft piano and somber violin trace an intricate emotional arc.”
“Ackroyd paints with sound, revealing strange and complex tonal shifts…”
Today, breath-taking post-classical artist Poppy Ackroyd shares her brand new single ‘The Calm Before’ taken from her first full-length album with One Little Indian Records, Resolve – out early 2018. A classically trained pianist, violinist, producer, and composer, Ackroyd turned heads in the neo-classical world with her previous works Escapement and Feathers,
Having played alongside giants of the genre, Hauschka and Nils Frahm, the unique musician has returned, newly signed to Bjork’s label One Little Indian Records, fresh off the back of a mini-album Sketches, and set to release her brand new self-produced full-length record – her most ambitious and progressive piece of work to date.
Poppy said: “The Calm Before is almost entirely made up of clarinet sounds. The percussion was created using layers of clicking clarinet and bass clarinet keys, starting with a looped and chopped rhythm taken from an improvisation that appears throughout.”
The ground-breaking track and the new album explores life’s constant challenges, and many of the songs are extremely personal to Poppy. In her own words: “Resolve is about the determination to embrace the good things in life whilst dealing with unexpected and challenging difficulties. Finding the light in the dark, facing sadness and loss head on, and developing a growing inner strength.”
In contrast to Ackroyd’s previous albums, for which the artist manipulated field recordings, Ackroyd has this time employed guest players on the record, in conjunction with her trademark and unique use of unconventional studio methods. Ackroyd creates percussive textures from traditional classical instruments, and the result is almost the emulation of an entire orchestra, using very few instruments combined with the artist’s incredible production skills.
Ackroyd plays a combination of both upright and grand piano, and even plays the inside of the instrument using fingers, drumsticks and plectrums – and then arranges and multi-tracks the resulting sounds. The artist employed the same technique to record herself playing violin, pianino, harmonium and spinet, as well as record other musicians who played cello, flute, clarinet, bass clarinet and hang. Describing this process, Poppy said: “With the other musicians, I asked them to explore the instrument and to create as many weird and wonderful sounds as they could. I then spent hours sifting through the recordings and choosing sounds and short percussive ideas that I could rearrange and build the track from. The opening of ‘The Calm Before’ is built out of the clicking of clarinet keys and ‘Quail’ starts with eerie sounding harmonics.”
Although a keen collaborator outside of her solo work – having created soundtracks for film, dance, physical theatre and radio – this is the first record for which Poppy has written for and employed other players, including Manu Delago (Bjork, Cinematic Orchestra, Anoushka Shankar) playing hang, Mike Lesirge (Bonobo, Andreya Triana) playing clarinets and flute, and Jo Quail on cello.
Through studying contemporary classical piano works and listening to electronic music, Ackroyd quickly developed her signature compositional style on previous albums, using contemporary pianistic ideas whilst also inhabiting the world of sound beyond the keyboard, using extended techniques to ‘play’ other parts of the instruments as well. The intelligent artist works by recording improvised contemporary classical piano motifs and then rearranging and manipulating these sounds digitally. The result is a fantastic fusion of acoustic and electronic in a post-classical setting.
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