PEARS BRAND NEW SELF-TITLED FULL-LENGTH OUT NOW PEARS AUSTRALIAN TOUR MAY/JUNE 2020

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"“Cynical Serene” is typically, wondrously PEARS. It’s 139 seconds of punk fury with a vocal breakdown seemingly recorded in scenic Laurel Canyon, California, enhanced by bongloads of righteous boo. And while you may be familiar with the band’s brevity and velocity, you’re going to wonder what happened at the end of the song. (Spoiler alert: That’s where the “serenity” comes in.)."  -ALTERNATIVE PRESS   “PEARS high energy tracks have stemmed from their deeply seeded punk roots that have defined a resurgence for their musical scene with their own brand of hardcore-punk.” - HYSTERIA MAGAZINE  Some of history’s best punk bands came and went before they had a chance to get comfortable (and boring), so it’s not surprising that PEARS frontman Zach Quinn had doubts when it came time to record the band’s third full-length. While PEARS have only existed since 2014, maybe a couple LPs and hundreds of explosive live shows were enough? “I was perfectly prepared to have my Blue Album already,” Quinn says, laughing. “That whole fucking cliché of ‘Our best record’s behind us.’ With the release of PEARS on Fat Wreck Chords), Quinn says, “Maybe not!” But there’s no maybe about it. PEARS is a significant step forward for a band that has grown by leaps and bounds on each album. Recorded with Chris Fogal (The Gamits) at Black in Bluhm Studio in Denver, PEARS is 14 songs and 31 minutes of the band’s signature hardcore: heavy, melodic, blistering, pointed, and surprisingly catchy. While it continues down the path set by Green Starand 2015’s Go to Prison, PEARS finds the band taking a different creative approach. “The last PEARS record, almost every detail was worked out before we ever stepped foot into the studio,” Quinn explains. “This record, we went in with skeletons of songs and put things together on the fly. ” “We never could afford the studio time to be in there 24/7,” adds guitarist/vocalist Brian Pretus. “A couple of songs ended up being stuff that we wrote on the spot.” Those include “Naptime,” which moves from loping pop to group-chant hardcore in the space of two minutes, and penultimate track “Traveling Time,” which Pretus describes as a “palate cleanser.” Basically, a mid-tempo pop song, “Traveling Time” began as a Quinn solo track but found its way onto PEARS thanks to the band’s more open studio approach.  “Collectively, we figured we’ve danced around pop music our entire career so far,” Quinn says, “but we were like, ‘Let’s just do a full-on fucking pop tune. Why not?” “Full on” is a good descriptor for PEARS in general. The album opens with feedback at the beginning of the riff-heavy “Killing Me” and closes when the even riff-heavier “Cynical Serene” (whose opening plays like Nirvana by way of Hum). In between are 12 songs that shake with can’t-sit-still energy, as the band—rounded out by the ace rhythm section of bassist Erich Goodyear and drummer Jarret Nathan—shifts on a dime between parts and sounds. Elements of prog and grunge intermingle with classic hardcore and hook-laden rock—and it can happen in the space of one song. (In this case, “Worm.”) Atop all of it are Quinn’s voice and words, which took a different approach as well on this album. “I thought that I was going to continue the absurdist poetry thing that started with Go to Prison and amplified on Green Star,” he says. Describing Green Star as “The Iliad with shit and cum,” Quinn notes that this time, “The songs are about shit.” Not shit in the “shit and cum” sense. Quinn writes directly about getting older (“Traveling Time”), moving past anger (“Nervous”), and the prospect of never having a family (“Daughter”), among other topics, all with the wit and candor PEARS fans have come to expect from the explosive frontman.  “It makes perfect sense that this is the third act, but it's not what I would have predicted it to be,” Quinn says. “I wouldn’t have guessed that the album would end on a bittersweet note. It’s more uplifting than either record that we’ve done, but it’s not a happy record.” It’s a great record regardless. PEARS will take it on the road extensively in the coming year, with tours in the U.S., Europe, Australia, Japan, and South America. PEARS – AUSTRALIAN TOUR 2020 May 28 - Singing Bird Studios, Frankston Tickets ‪May 29 - Bendigo Hotel, Melbourne Tickets ‪‪May 30 - Hotel Metro, Adelaide Tickets ‪‪May 31 - The Den, Perth  Tickets ‪June 1 - Margaret River Football Club, WA Tickets at the door ‪June 3 - Transit Bar, Canberra  Tickets ‪‪June 4 - Hamilton Station Hotel, Newcastle - Free Entry ‪‪June 5 - Bearded Lady, Brisbane  Tickets June 6 - Vinnie’s Dive, Gold Coast Tickets June 7- Frankie’s Pizza, Sydney - Free Entry Tickets on sale now.  For complete tour and ticket information, visit:  pearstheband.com  

Cynical Serene” is typically, wondrously PEARS. It’s 139 seconds of punk fury with a vocal breakdown seemingly recorded in scenic Laurel Canyon, California, enhanced by bongloads of righteous boo. And while you may be familiar with the band’s brevity and velocity, you’re going to wonder what happened at the end of the song. (Spoiler alert: That’s where the “serenity” comes in.).”
ALTERNATIVE PRESS

“PEARS high energy tracks have stemmed from their deeply seeded punk roots that have defined a resurgence for their musical scene with their own brand of hardcore-punk.” – HYSTERIA MAGAZINE 

Some of history’s best punk bands came and went before they had a chance to get comfortable (and boring), so it’s not surprising that PEARS frontman Zach Quinn had doubts when it came time to record the band’s third full-length. While PEARS have only existed since 2014, maybe a couple LPs and hundreds of explosive live shows were enough?

“I was perfectly prepared to have my Blue Album already,” Quinn says, laughing. “That whole fucking cliché of ‘Our best record’s behind us.’

With the release of PEARS on Fat Wreck Chords), Quinn says, “Maybe not!” But there’s no maybe about it. PEARS is a significant step forward for a band that has grown by leaps and bounds on each album.

Recorded with Chris Fogal (The Gamits) at Black in Bluhm Studio in Denver, PEARS is 14 songs and 31 minutes of the band’s signature hardcore: heavy, melodic, blistering, pointed, and surprisingly catchy. While it continues down the path set by Green Starand 2015’s Go to Prison, PEARS finds the band taking a different creative approach.

“The last PEARS record, almost every detail was worked out before we ever stepped foot into the studio,” Quinn explains. “This record, we went in with skeletons of songs and put things together on the fly. ”

“We never could afford the studio time to be in there 24/7,” adds guitarist/vocalist Brian Pretus. “A couple of songs ended up being stuff that we wrote on the spot.”

Those include “Naptime,” which moves from loping pop to group-chant hardcore in the space of two minutes, and penultimate track “Traveling Time,” which Pretus describes as a “palate cleanser.” Basically, a mid-tempo pop song, “Traveling Time” began as a Quinn solo track but found its way onto PEARS thanks to the band’s more open studio approach.

“Collectively, we figured we’ve danced around pop music our entire career so far,” Quinn says, “but we were like, ‘Let’s just do a full-on fucking pop tune. Why not?”

“Full on” is a good descriptor for PEARS in general. The album opens with feedback at the beginning of the riff-heavy “Killing Me” and closes when the even riff-heavier “Cynical Serene” (whose opening plays like Nirvana by way of Hum). In between are 12 songs that shake with can’t-sit-still energy, as the band—rounded out by the ace rhythm section of bassist Erich Goodyear and drummer Jarret Nathan—shifts on a dime between parts and sounds. Elements of prog and grunge intermingle with classic hardcore and hook-laden rock—and it can happen in the space of one song. (In this case, “Worm.”)

Atop all of it are Quinn’s voice and words, which took a different approach as well on this album.

“I thought that I was going to continue the absurdist poetry thing that started with Go to Prison and amplified on Green Star,” he says. Describing Green Star as “The Iliad with shit and cum,” Quinn notes that this time, “The songs are about shit.”

Not shit in the “shit and cum” sense. Quinn writes directly about getting older (“Traveling Time”), moving past anger (“Nervous”), and the prospect of never having a family (“Daughter”), among other topics, all with the wit and candor PEARS fans have come to expect from the explosive frontman.

“It makes perfect sense that this is the third act, but it’s not what I would have predicted it to be,” Quinn says. “I wouldn’t have guessed that the album would end on a bittersweet note. It’s more uplifting than either record that we’ve done, but it’s not a happy record.”

It’s a great record regardless. PEARS will take it on the road extensively in the coming year, with tours in the U.S., Europe, Australia, Japan, and South America.

PEARS – AUSTRALIAN TOUR 2020

May 28 – Singing Bird Studios, Frankston
Tickets
‪May 29 – Bendigo Hotel, Melbourne
Tickets
‪‪May 30 – Hotel Metro, Adelaide
Tickets
‪‪May 31 – The Den, Perth
Tickets
‪June 1 – Margaret River Football Club, WA
Tickets at the door
‪June 3 – Transit Bar, Canberra
Tickets
‪‪June 4 – Hamilton Station Hotel, Newcastle – Free Entry
‪‪June 5 – Bearded Lady, Brisbane
Tickets
June 6 – Vinnie’s Dive, Gold Coast
Tickets
June 7- Frankie’s Pizza, Sydney – Free Entry

Tickets on sale now. 
For complete tour and ticket information, visit: 
pearstheband.com

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