Listen to Bully – ‘Losing’

by the partae

BULLY PREVIEWS NEW ALBUM  VIA NPR FIRST LISTEN

LOSING  OUT OCTOBER 20TH ON SUB POP

“Alicia Bognanno has the loveliest snarl this side of Nirvana’s Live at Reading. That it’s in a pop-punk setting, with lyrics reckoning with adulthood, only strengthens its power.” –New York Magazine

“full of tough-earned wisdom and egalitarian rage, Losing is a high-energy, high-impact emotional workout for everyone involved.” –Wired

“The bass hops around nervously in nearly constant eighth notes, with drums syncopated against it à la the Police; a guitar on the left offers a neat new-wave hook while another one on the right grumbles occasionally with dissonant, distorted squawks. And as those tensions flare into multiple little crescendos, the singer Alicia Bognanno gets herself more and more worked up.” –New York Times

“Expect lots more of Bognanno’s sharp, cynical emotional insights and impassioned yells, all backed by Bully’s gnawing, ’90s-inspired sound.” -SPIN

“The record once again faces down youthful angst, but with a notable growth in Bognanno’s maturity” –Consequence of Sound

“Alicia Bognanno has a way of channeling her inner struggles into tightly-constructed and toiled-over rock songs with a classic touch.”

Stereogum

Bully’s Losing will be released on Sub Pop worldwide on October 20th and today the band has given fans a chance to preview the album via NPR’s First Listen. “When Alicia Bognanno unleashes that glorious howl, you can’t help but absorb everything she’s feeling: the simmering anger, the built-up resentments and regrets all boiling over into rage,” said NPR.  “Bognanno is an undeniably potent force. Yet behind every snarl and throat-shredding scream into the void, there are subtler shadings at work. For an album as frenetic and furious as this, it’s a welcome sliver of light.” Losing is available for pre-order now from Sub Pop Records and the band’s webstore. LP pre-orders of the album from Sub Pop and select independent retailers will receive the limited Loser Edition on clear vinyl with black swirls (while supplies last).

On November 2nd, Bully will begin their U.S. Tour. Highlights include Music Hall of Williamsburg in Brooklyn on November 13th and three nights at Mercy Lounge in their hometown of Nashville, TN on December 14, 15 and 16 to close out their 2017 tour. The tour will resume in February of 2018. Full dates listed below.

Track Listing:
  1. Feel the Same
  2. Kills to Be Resistant
  3. Running
  4. Seeing It
  5. Guess There
  6. Blame
  7. Focused
  8. Not the Way
  9. Spiral
  10. Either Way
  11. You Could Be Wrong
  12. Hate and Control

Tour Dates:

11/02/17- St Louis MO – Off Broadway

11/03/17 – Iowa City IA – The Mill

11/04/17 – Minneapolis MN – Fine Line Music Cafe

11/06/17 – Madison WI – High Noon Saloon

11/07/17 – Chicago IL – Thalia Hall

11/08/17 – Detroit MI – Marble Bar

11/09/17 – Toronto ON –  Lee’s Palace

11/10/17 – Montreal QC – Bar le Ritz

11/12/17 – Boston MA – Great Scott (SOLD OUT)

11/13/17 – Brooklyn NY – Music Hall of Williamsburg

11/14/17 – Philadelphia PA – First Unitarian Church

11/15/17 – Washington DC – U Street Music Hall

11/17/17 – Charlottesville VA – The Southern

11/18/17 – Durham NC – Motorco Music Hall

11/19/17 – Asheville NC – The Mothlight

12/06/17 – Little Rock AR – Stickyz

12/07/17 – Dallas TX – Club Dada

12/08/17 – Austin TX – Emo’s

12/09/17 – Houston TX – Walter’s

12/10/17 – New Orleans LA – Gasa Gasa

12/12/17 – Birmingham AL – Saturn

12/13/17 – Atlanta GA – Terminal West

12/14/17 – Nashville TN – Mercy Lounge

12/15/17 – Nashville TN – Mercy Lounge

12/16/17 – Nashville TN – Mercy Lounge

2/16/18 – Norman OK – The Opolis

2/17/18 – Santa Fe NM – Meow Wolf

2/18/18 – Phoenix AZ – Valley Bar

2/24/18 – Eugene OR – Hi-Fi Music Lounge

2/26/18 – Vancouver BC – Biltmore Cabaret

2/28/18 – Seattle WA – Neumos

3/1/18 – Spokane WA – The Bartlett

3/2/18 – Boise ID – Neurolux

3/3/18 – Salt Lake City UT – Kilby Court

3/5/18 – Denver CO – Larimer Lounge

3/6/18 – Kansas City MO – Record Bar

5/30/18 – London, UK – Moth Club

BULLY – LOSING

BY PATTY SCHEMEL

In rock – as in life – change is unavoidable, often painful, but ultimately necessary, and Alicia Bognanno and her band Bully have dealt with a lot of it since their debut record

Feels Like hit in 2015. Now with a new label and another couple years worth of life experience, the 12 new songs on Losing feel like perfect anthems for a generation still learning to harness the power of resistance. With a vocal style that is as pretty as it is powerful, and emotionally resonant lyrics, Alicia channels the loss of innocence and reveals a raw honesty in songs that are distinctly hers.

I love Bully the way I love Sebadoh, Dinosaur Jr and the Breeders. Their sound takes me back to the stripped down and thoughtfully engineered songs that haunt me long after they’re gone and never get old. Another good reason to be with Sub Pop, who have always been associated with music that is built to last.

I feel like all my best work has been born of heartbreak and upheaval; maybe most musicians feel that way. “The title of the record –Losing – kind of says it all,” Alicia says. “After being on the road so long and coming back to Nashville we all had a lot of changes going on in our personal lives that we were trying to deal with / adjust to and that was really the motivation for this one.”

“Feel the Same” is about being stuck in the claustrophobia of a manic state of mind. It’s Alicia’s favorite song to scream. “Seeing It,” she says, is about the unique anxiety and vigilance about personal safety that comes with being a woman: “Such a blurring place to be / stuck in your own body.” Lately Alicia has been lending her voice as an advocate for gun control, women’s rights and speaking out in support of animal rights. In some ways my generation were in a bubble in the 90s; I never gave any thought to what Bill Clinton was up to, for instance – but in 2017, Losing sounds like a personal and necessary call to arms to me; we need rock n roll now more than ever.

Featured Photo Credit :   Alysse Gafkjen

 

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