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Novo Amor Tickets On Sale Now!

March 30, 2023

ASH OLSEN

March 30, 2023

The Man Himself

March 29, 2023

PIERCE BROTHERS ANNOUNCE NEW SINGLE ‘IN THE WATER’ + EAST COAST TOUR

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March 29, 2023

ASH OLSEN RELEASES ACOUSTIC VISUALISER FOR SINGLE ‘LOW’

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March 28, 2023

BASSINTHEGRASS competition offering chance to win epic NT Top End Adventure and...

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ICONIC MUSIC PHOTOGRAPHER, SCARLET PAGE, UNVEILS NEVER-BEFORE-SEEN IMAGES IN HER AUSTRALIAN DEBUT...

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KING STINGRAY ANNOUNCE ‘THAT’S WHERE I WANNA BE’ NATIONAL TOUR

March 28, 2023
Monthly Archives

April 2022

Music News

Myles Brando ‘You Got It’ Premiere

by the partae April 29, 2022
written by the partae

Brandon Louisor, aka “Myles Brando”, is a Vocalist/ Hip Hop artist, and producer from Canarsie, Brooklyn. At 18 years old, Myles has created a sound that bridges several genres of music coupled with a contemporary feel. When he was 12, and with the encouragement of his aunt, Myles auditioned and was accepted into the Young People’s Chorus of NYC (YPC) where he performed at: Carnegie Hall, Lincoln Center, and The MET. Through his YPC training and natural talent, Myles was accepted into the vocal studio at Frank Sinatra School of the Arts in Long Island City, NY. Currently, Myles is a freshman attending the inaugural class of Roc Nation’s School of Music, Sports, & Entertainment at LIU-Brooklyn Campus.

Myles is set to release his first full project in 2022; in collaboration with Grammy-nominated producers Chris Styles of Dangerous LLC (50Cent) and Bruce Waynne of Midi Mafia (50Cent, Frank Ocean, and Fantasia).

https://www.instagram.com/whotfismylesbrando
https://twitter.com/myles_brando

April 29, 2022 0 comment
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Music News

Vermont are back with angsty new single “Over Our Head”

by the partae April 29, 2022
written by the partae

Melbourne emo alt rockers Vermont are releasing their first single of 2022, the angsty yet melancholic offering “Over Our Head“. The video is streaming today via Milky Milky Milky after it debuted on triple j Short.Fast.Loud last night.

The single was produced, mixed and mastered by Ocean Grove‘s Sam Bassal, who adds a bouncing confidence to the release. “Over Our Head” lyrically dives into toxic situations and the challenges faced when navigating the ups and downs and the struggles involved in overcoming them.

Emerging from the roller coaster of the previous two years, the pandemic carried the weight of uncertainty for most involved in the music and arts industry, and it most certainly took its toll on Vermont. Passions and commitment to what was once what the quartet loved most was tested in some very unique ways, and this new release provided a beacon of hope for the alt rock outfit.

“It took a year in the making, and as a collective we knew that we wanted to strive for something more challenging and ultimately more superior than anything we’d attempted in the past.” says vocalist Josh Swanwick 

“Sam Bassal was an undeniable influence behind our ultimate final product. The moment we met with Sam was the moment we knew this release would mark a very special time in Vermont’s existence. This song marks the beginning of a new era for Vermont; an era in which we will value the precious moments shared with our best mates and every second shared performing our creation.”

Hailing from Melbourne’s West is four-piece melodic alt rock outfit Vermont comprised of members Joshua Swanwick (Vocals), Jono Hnatejko (guitar), Nathan Borg (Bass) and Curtly Lyon (Drums). Vermont emerged with their own brand of alternative rock in 2017 when they debuted with “Lonely Mind” and shortly after followed it up with their heart-wrenching melodic anthem “Breathe” in 2018.

The quartet found a taste for catchy chorus hooks, angsty, powerful vocals and melodic lead lines and in 2020 they released their self-titled debut EP. Featuring popular tracks “Ruin” and “Solace”, the EP was well received, described as “perfectly mixing ferocity and vulnerability” by The Creative Issue with triple j play from multiple programs.

Vermont cut their teeth touring with a slew of genre heavy-hitters like Stuck Out, Stepson, Pridelands, Rumours, Reside, The Comfort and more and never fail to capture an aura of emotion and sentiment through their ability to story-tell.

“Over Our Head” will be available and streaming on all platforms tomorrow, Friday April 29.

April 29, 2022 0 comment
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Music News

THE LAZY EYES SHARE NEW VIDEO FOR ‘IMAGINARY GIRL’ TAKEN OFF DEBUT LP SONGBOOK OUT NOW

by the partae April 29, 2022
written by the partae

PRAISE FOR THE LAZY EYES

“Honest-to-god really good”
V Man

“Indie’s next generation prove ready for a much bigger stage”
Sydney Morning Herald

“The Lazy Eyes know how to drop a little piece of sunshine in each of their tracks.”
Nick Findlay, triple j 

“Despite their humility for what’s to come, Lazy Eyes look to be heading down a brightly lit road.”
VICE Australia

“…effortlessly expressing profound themes and unleashing bound dreams in fantastical lyricism”
Music News (5/5)

“On SongBook, The Lazy Eyes are showing off, offering the full kaleidoscope of their insane talent.”
CLASH (9/10)

“It’s a debut album to become enamoured by and caught up in.”
DORK (4/5)

“It’s packed with fully formed, memorable songs”
MOJO (4/5) 

“The Lazy Eyes are hitting a sweet spot…”
Narc (4/5)

“An interesting, and quietly absorbing, debut.”
Hot Press (8/10)

“…gloriously mellow, blissed-out dream pop”
DIY Magazine (3.5/5) 

“Australian psych-pop upstarts deliver sparking, squiggly debut” 
Uncut (7/10)

“A phenomenal blend of modern sensibilities and classic experimental pop”
American Songwriter

“Australia’s renowned psych-rock scene has become the envy of the world,
and the Sydney band’s glistening debut album continues to
push the sound into charming new places”
NME Magazine

“It will have you in wonderful disarray.”
Some-Kind 

“Their music retains a youthful freshness that, rather than recycling,
reinvigorates the ingredients they have taken from their heroes”
Monster Children

“Breath-taking”
Life Without Andy

Australian psych upstarts The Lazy Eyes share their new video for ‘Imaginary Girl’ following the release of their highly praised debut album, SongBook. WATCH HERE, LISTEN HERE.

Created by London-based animator George Wheeler (Unknown Mortal Orchestra, Loyle Carner, Palace), the video combines live-action and animation depicting the glitchy loop of a person obsessed with a fantasy. We follow them as they slip from one reality into another – from a lonely train carriage to a world of kissing nymphs and giant plants.

The video follows the release of the band’s debut album, SongBook including previously released tracks ‘Where’s My Brain???‘, ‘Tangerine‘, ‘Cheesy Love Song‘, ‘Fuzz Jam‘, ‘Hippo‘, ‘Starting Over‘, and more, which drew high praise from all corners of the world, including Dork, CLASH, DIY, Spin, KCRW, DORK, Mojo, NME, VICE, triple j, Unearthed, Lauren Laverne of BBC 6 Music, 3RRR, 2Ser and more. A sumptuous, prismatic tapestry of modern-day psychedelia sans pastiche or revivalism, SongBook is music for free-roaming adventurers of imagination, whose unbounded appetite for Imagineering is matched only by its expansive creative palette. As the record unfurls, The Lazy Eyes uncover the myriad sides to their psych-rock sound, from driving, distorted, Black Sabbath-esque guitar riffs to the sunnied, vintage-soaked escapism of 60s psych-pop, from blistering dual guitar solos to washed out, effects-lathered shoegaze to lovelorn ballads full of plush baroque, orchestral flourishes.

The band is currently on their headline album tour stopping in Meaninjin/Brisbane this weekend, followed by Gubbi Gubbi/Maroochydore, Ngarangwal Land/Gold Coast, Dharawal Land/Wollongong, Awabakal Land/Newcastle, and Eora/Sydney before heading over to the UK for their debut run of shows alongside performances at this year’s The Great Escape. They will return home to continue their Australian tour before jumping on stage at Splendour In The Grass, supporting The Strokes in Eora/Sydney and Naarm/Melbourne, and playing alongside artists like Arlo Parks, and Matt Corby at Gang Of Youths-curated festival A More Perfect Union. See full dates and details here.

SongBook LP is out now, buy/stream it here.

SONGBOOK TRACKLIST
Intro
The Seaside
The Island
Tangerine
Hippo
Starting Over
Fuzz Jam
Nobody Taught Me
Trance
Where’s My Brain???
Imaginary Girl
Cheesy Love Song

Stay connected with The Lazy Eyes:
Instagram | Facebook | Twitter | triple j Unearthed

April 29, 2022 0 comment
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Festival NewsMusic News

1300 break the internet with debut mixtape Foreign Language, out now

by the partae April 29, 2022
written by the partae
Photo by Raghav Rampal + Elijah Flores

ACCLAIM FOR 1300

Feature Artist
triple j Unearthed

“The Korean-Australian collective just keep bringing the heat” 
triple j

“At this point every 1300 release is an event”
Sydney Morning Herald

“All-stars”
NME Australia

“Sydney’s 1300 are making a lot of noise, and I like it, you know,
like, like-like it, like love it actually”

Complex AU

“With bilingual lyrics, slick flows, and an almost never-ending sense of movement
in each and every bar, 1300 are a truly inimitable creation that defies categorisation”

Rolling Stone Australia

“You need to watch 1300 tear through ‘Gangnam Style’ on Like A Version”
Junkee

“If you need a real musical kick up the ass today or something to get your brain
firmly locked into Friday Mode, this run at “Gangnam Style” from 1300
is absolutely perfect for that”

Pedestrian TV

“Don’t try to describe their sound. Just enjoy it.”
VICE Australia

“Founded in a garage in Sydney’s West, 1300 subverts expectations of
what a Korean rap group should be”

Acclaim

“Putting a uniquely homegrown twist on the sounds of Seoul”
Life Without Andy

“1300 have taken the Australian music scene by storm”
Purple Sneakers

“Eclectic, forward-thinking bursts of brilliance that never fail to hit”
Pilerats

“1300’s music is a conscious-expanding experience transcending language”
Sniffers

1300 (pron one-three-hundred), the trailblazing Korean-Australian rap group, have unveiled their debut mixtape, Foreign Language. LISTEN + WATCH HERE.

Inspired by the consistent state of flux, Foreign Language is indicative of the cross-cultural place 1300 occupies as a foreign entity, not quite fitting in with the local so-called Australian scene nor the folks back home in Korea. Their music embodies the endless possibilities of creativity that emerge from paving your own path, existing between and across multiple cultures, allowing us to connect in a way that words alone cannot.

Foreign Language is a dose of high-energy rap music that transcends language barriers through banging beats and hard-hitting vocal performances. Reflective of the chaotic nature of the group’s upbringing, straddling alternate worlds, and varied musical experiences, Foreign Language is a whirlwind of bass and synth that triggers excitement. Produced and mixed entirely by 1300, their debut mixtape can convert any crowd or listener into speakers of their own foreign language.

The mixtape’s title track arrives today with a music video directed by frequent collaborator Raghav Rampal, following the group around an adventure at Luna Park. Speaking to the release, 1300 share that Foreign Language is “A celebration of friendship and 1300 as a collective,” and that visually the title-track serves “the idea of the camera as a foreign entity that the boys find and then decide to hang out with for a day – so we travel with the boys in an arcade, karaoke and Luna Park. We just got everyone together and shot something fun because we blew the budget on all the other videos. It was literally just all of us hanging out and having fun.”

The result is a furious mashup of hyperactivity, born from Nerdie and pokari.sweat’s genre-bending production, helmed by rako, goyo and DALI HART’s gritty flows, juxtaposed again with Nerdie’s lazily-sung hooks. Trolling through abrasive bounce on ‘Shake It‘ to chopped and screwed on ‘Come On‘, drum and bass nods in ‘Woah Damn‘ and ‘No Talk ft. Agung Mango‘, boom bap on ‘Undercover‘, ‘Ralph‘s spaced out breakbeat and EBM sub-heavy ‘Payphone ft. Raj Mahal‘ or the gentle afrobeat of ‘Worldwide‘ – the sound of 1300 can be neither pigeonholed nor defined in simple stylistic terms.

What guides 1300 is their strength as a collective, concentrating each of their artistic visions and personalities into one seamless whole. Lyrically bound by the pursuit of feeling, each rapper flirts with the production, the syllabic shape of their words shifting from breathless to animated through autotune and back again. Through their production, inspired by Super Smash Bros to The Fast and Furious, Wreck-It Ralph, Far East Movement’s ‘Like A G6’ and BLACKPINK, 1300 prove nothing is off-limits.

Since their debut release in 2021, ‘Brr‘, 1300 have continued to ascend, culminating in their breakthrough release ‘No Caller ID‘. Praised by tastemakers including Acclaim, Purple Sneakers, AUD$ and Korean rappers Palo alto and Lil Boi, it was ‘Smashmouth‘ that took the group to fever across triple j, Feature Artist on Unearthed and praise from Rolling Stone, NME, Sniffers and more. Following a remix of Payday and Danny Brown‘s ‘Vampire‘ and their riotous, live show, 1300 have since supported stages with Genesis Owusu, PNAU, Shady Nasty and more, plus festivals including Beyond The Valley, Field Day, Wildlands Festival and soon, a sold-out appearance at VIVID LIVE and Splendour In The Grass.

This year they continue to conquer with ‘Oldboy‘ and ‘Rocksta‘, securing fans in triple j with their debut Like A Version performance covering Psy’s ‘Gangnam Style’, acclaim from Complex Australia, VICE, Pedestrian, Junkee, Red Bull Music, Sydney Morning Herald, RAGE, MTV, The Music, Music Feeds, and community radio play nationally, including FBi, SYN, RTR FM and more. Today, the self-proclaimed boys from outer space arrive with the release of Foreign Language. Over thirteen tracks, rappers rako, goyo, DALI HART and producers Nerdie and pokari.sweat, rewrite the rulebook with their explosive Korean-English raps. Each song is as unpredictable as the next and uniquely, 1300.

Foreign Langauge is out now, buy/stream it here.

TOUR DATES
Fri 27 May – VIVID LIVE @ Sydney Opera House – Eora / Sydney
Fri 22 Jul – Splendour In The Grass – Cavanbah / Byron Bay
Fri 5 Aug – Enmore Theatre – Eora / Sydney*
Sun 7 Aug – Northcote Theatre – Naarm / Melbourne*
Fri 12 Aug – Hobart Uni Bar – nipaluna / Hobart*
Sat 20 Aug – Metropolis Freemantle – Whaylyup / Freemantle*
Fri 26 Aug – Fortitude Music Hall – Meanjin / Brisbane*
Sat 27 Aug – Hindley Street Music Hall – tarndanya / Adelaide*
*supporting Confidence Man

Stay connected with 1300:
Facebook | Instagram | YouTube | Soundcloud

April 29, 2022 0 comment
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Festival NewsMusic News

Ladyhawke Time Flies east coast tour moves to November 2022

by the partae April 29, 2022
written by the partae

+ special guests announced – Greatest Hits (BNE), Molly Millington (SYD) & Queen P (MEL)


  • Ladyhawke’s Time Flies east coast tour dates officially rescheduled to November 2022
  • Playing The Triffid in Brisbane on Tuesday 8 November, Factory Theatre in Sydney on Wednesday 9 November, and Corner Hotel in Melbourne on Sunday 13 November
  • Joined by special guests Greatest Hits (Brisbane), Molly Millington (Sydney) and Queen P (Melbourne)
  • General public tickets for the new November dates are on sale now at frontiertouring.com/ladyhawke


After being forced to postpone her Australian tour dates earlier this year due to COVID-19 travel restrictions in Australia and New Zealand, Frontier Touring are excited to announce the newly rescheduled tour dates for Ladyhawke’s Time Flies Tour.

The multi-ARIA Award winning artist will return to Australia for the first time in five years with shows at The Triffid in Brisbane on Tuesday 8 November, Factory Theatre in Sydney on Wednesday 9 November, and the Corner Hotel in Melbourne on Sunday 13 November.

While in Australia Ladyhawke will also be playing at Summer Camp Festival in Sydney and Melbourne, as well as regional Victoria’s Chillout Festival in Daylesford.

We are happy to also announce today that joining the tour line-up are special guests Greatest Hits, who will open for Ladyhawke in Brisbane, Molly Millington in Sydney, and Queen P, supporting in Melbourne.

“It’s been five years since I‘ve been able to tour internationally – five years of pent-up energy that I am so excited to bring to the stage in Australia in November! Super stoked to have Queen P, Molly Millington and Greatest Hits join me on this fun run. A massive thank you to Frontier Touring for all their hard work and dedication in re-scheduling and pulling these shows together. And to the patient and dedicated fans who have been holding on to their tickets – I see you and cannot wait to sing with you in November.” – Ladyhawke

Tickets for the original performances will be valid for the rescheduled dates without taking further action. Patrons are encouraged to #keepyourtickets but if unable to attend a new show date may obtain a full refund. Refund requests must be submitted prior to Friday 27 May via the official ticketing agency

November 2022 rescheduled tour dates (increased capacities):
​
Tue 8 Nov – The Triffid, Brisbane QLD (prev. Fri 25 Feb)
​Wed 9 Nov – Factory Theatre, Sydney NSW (prev. Tue 1 Mar & Wed 2 Mar)
​Sun 13 Nov – Corner Hotel, Melbourne VIC (prev. Tue 8 Mar, Wed 9 Mar & Thu 10 Mar)

Ladyhawke will be touring in celebration of her latest album Time Flies [BMG], which was released in November 2021 and described as ‘her best album yet’ by Music OMH. Our first taste of Time Flies came in the form of singles ‘Mixed Emotions’, penned with Jono Sloan and Nick Littlemore (both of PNAU, Empire of the Sun), lead album single ‘Guilty Love’ featuring BROODS, which has amassed 1.39m+ streams, and latest single ‘My Love’, which was written in collaboration with Josh Fountain, one of Australia’s most in-demand music producers.

Joining Ladyhawke at Brisbane’s The Triffid on Tuesday 8 November will be Greatest Hits, a project of artist Ryan Cooper and a collective of his friends from around the globe. The group, whose debut single in the UK received BBC Radio 1 play, have toured extensively with the bands Hollow Coves, and Halfnoise (Zac Farro of Paramore). Greatest Hits sees Ryan step forward as writer-producer. The ‘Phil, Slow It Down’ and ‘Trying’ group blend 70’s groove, sunshine pop, and neo-psych, with lyrical sarcasm whilst tackling themes of failure, identity and growing up.

Opening for the Sydney legs of the Time Flies tour will be self-proclaimed ‘possessed pop’ singer Molly Millington. Compared with the likes of Olivia Rodrigo and Melanie Martinez the ‘Ring Master’ singer sprinkles her lyrics with sentimentality, coloured by vibrant soundscapes and edgy undertones. Molly’s newest single ‘October’ was released in October and has already amassed more than 92.7k+ streams to date, peaked at number #4 on the Shazam Discovery Chart, landed triple j spot rotation and featured in triple j’s New Music Hitlist playlist.

Helping to close out the tour is South Sudanese Australian rapper and poet Queen P (aka Piath Mathiang) who will be opening the Melbourne show on Sunday 13 November. Blurring the lines between hip hop, pop, RnB and electronic, P released her first mixtape Bring Black Back in 2018. Her darting flow and impenetrable rhymes elevated her from the underground to the forefront, supporting the likes of Masta Ace (USA), Billy Davis & The Good Lords, and Cool Out Sun, as well as landing festival slots at Strawberry Fields, Groovin The Moo, The Australian Open, St. Kilda Festival (Main Stage) and Bigsound. Queen P has gone on to receive a National Live Music Award nomination in 2019 and featured on the latest single from Holy Holy titled ‘Port Rd’, which heralded the #1 song in rotation on triple j and reached 1 million Spotify streams.

Tickets to the rescheduled 2022 dates are on sale now via frontiertouring.com/ladyhawke.


LADYHAWKE
​TIME FLIES AUSTRALIAN TOUR
​TOUR RESCHEDULED
​NOVEMBER 2022

​Presented by Frontier Touring

TICKETS ON SALE NOW FOR ALL SHOWS

ALL SHOWS 18+


Tuesday 8 November
​
(Prev. Friday 25 February)
​
The Triffid | Brisbane, QLD
​
Special Guest Greatest Hits
​18+
​moshtix.com.au | Ph: 1300 438 849

Wednesday 9 November
​
(Prev. Tuesday 1 & Wednesday 2 March)
​
Factory Theatre | Sydney, NSW
​
Special Guest Molly Millington
​18+
​ticketek.com.au | Ph: 132 849

Sunday 13 November
​
(Prev. Tuesday 8, Wednesday 9 & Thursday 10 March)
​
Corner Hotel | Melbourne, VIC
​
Special Guest Queen P
​18+
​oztix.com.au | Ph: 1300 762 545


*Summer Camp Festival, Centennial Park, Sydney, NSW – Saturday 5 November
​*
Chillout Festival, Daylesford Town Hall, Daylesford, VIC – Friday 11 November
​*
Summer Camp Festival, Reunion Park, Melbourne, VIC – Saturday 12 November

*Not a Frontier Touring show


Patrons are advised to purchase tickets only through authorised ticket sellers. We cannot guarantee any ticket purchase made through any means other than the official ticketing agents listed on the Frontier website.

ladyhawkemusic.com | facebook.com/ladyhawke
​
Twitter: @ladyhawkeforyou | Instagram: @ladyhawkeforyou
​
Spotify | YouTube | Twitch

facebook.com/songsbymolly | Instagram: @moldymillington
​
Spotify | YouTube

facebook.com/wearegreatesthits | Instagram: @wearegreatesthits
​
Spotify | YouTube

facebook.com/OueenP | Instagram: @itsmequeen.p | TikTok: @itsmequeen.p

frontiertouring.com/ladyhawke | facebook.com/frontiertouring
​
Twitter: @frontiertouring | Instagram: @frontiertouring

 

April 29, 2022 0 comment
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Festival NewsMusic News

Baker Boy headlines Arts Centre Melbourne’s free MEGAMIX SOCIAL program

by the partae April 29, 2022
written by the partae
Photo credit: Rick Clifford
MEGAMIX SOCIAL
Arts Centre Melbourne – from April onwards

Yolngu hip hop artist Baker Boy will headline free concerts at Hamer Hall as part of MEGAMIX Social – Arts Centre Melbourne’s fully subsidised program of music, theatre, circus, tours and workshops for primary and high school students.

The program, presented in partnership with the Victorian Department of Education and Training as part of the Positive Start in 2022 initiative, is designed to promote wellbeing through the access to the cultural experiences missed during the COVID 19 pandemic.

Carefully curated with young music fans in mind, the MEGAMIX Social: Baker Boy shows on June 7 and 9 are a rare opportunity for students to see Danzal Baker, aka Baker Boy, who raps in English and Yolngu Matha representing his Arnhem Land family. A former Young Australian of the Year, he hopes to inspire younger generations to embrace their culture and become leaders in their communities. Audiences will be warmed up by a DJ and two special guest performers.

The music program will be also include creative music workshops on Hip-Hop lyric writing, household techno and composition at Arts Centre Melbourne’s dedicated learning hub The Channel, followed by a visit to the Australian Music Vault, an immersive exhibition celebrating the Australian contemporary music story.
The MEGAMIX Social: Theatre and Experience Program includes exceptional drama, dance and circus performances in the Playhouse and Fairfax Studio. The season includes Windmill Theatre Company’s Creation Creation, Flying Fruit Fly Circus’ Girls with Altitude, Sydney Dance Company’s Impermanence, Persian love story Dorr-e Dari and a mirrored art installation Kaleidoscope.

“After two years of remote learning we are simply thrilled to be welcoming students back to Arts Centre Melbourne’s iconic venues for such an exciting and fun program. We know memories created here will last a lifetime,” says Arts Centre Melbourne’s Head of Creative Engagement Cynthia Nolan Myers.

As part of the Positive Start in 2022 program, MEGAMIX Social is open to all students who attend a government or low-fee non-government school. The program is also available to students in one of the following categories: rural and regional students; students with disability; Aboriginal and Torres Strait Islander students; culturally and linguistically diverse students; students from disadvantaged or low SES backgrounds; students in Out of Home Care; students identified as vulnerable or at risk of disengagement.

Arts Centre Melbourne presents

MEGAMIX SOCIAL
Various dates – from April onwards
Arts Centre Melbourne – Hamer Hall, Fairfax Studio, Playhouse, The Channel, Australian Music Vault

For more information visit artscentremelbourne.com.au

 

April 29, 2022 0 comment
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Music News

LIQUID ZOO SHARE DEBONAIR NEW SINGLE ‘I DON’T WANT TO BE ME’

by the partae April 29, 2022
written by the partae

SUPPORT FOR ‘I DON’T WANT TO BE ME’

“A zesty bright masterclass in in indie punk, filled with swagger and attitude.”
Backseat Mafia (UK/AUS)

 


Newcastle-based indie-rock group Liquid Zoo have today revealed their superlative new single ‘I Don’t Want To Be Me’ – produced and mixed by Jack Nigro (Pacific Avenue, The Terrys, Skegss).

Beginning with a subtle bass riff before ascending into textural harmony, ‘I Don’t Want To Be Me’ is a colourful slice of euphonious virtuosity driven by fuzz-laden guitars and charismatic melodies. Seeping with poised indie instrumentation, the song’s structure establishes a sense of familiarity, as rich gang vocals accentuate the anthemic hook.

The band talk about the meaning behind ‘I Don’t Want To Be Me’:

“The song is about coming to the realisation that your past actions were wrong and how that affects those around you and pondering the idea of not wanting to be yourself as a self-punishment. We wanted to present this melancholy idea in a happier contradictory light.”

Previous releases from Liquid Zoo have seen support from Australian tastemakers triple j Unearthed, and their discography has accumulated over a quarter of a million streams across DSP platforms.

Since their inception, the band has traversed the East Coast of Australia, playing to capacity rooms at local venues and house parties. In the live arena, they have shared the stage with homegrown luminaries Psychedelic Porn Crumpets, Pacific Avenue, King Stingray and The Lazy Eyes.

‘I Don’t Want To Be Me’ is available worldwide now

FOLLOW LIQUID ZOO

FACEBOOK | TWITTER | INSTAGRAM | TIKTOK | SPOTIFY | APPLE MUSIC | AMAZON MUSIC | YOUTUBE
 

April 29, 2022 0 comment
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Music News

THE PLANE SAILORS RELEASE EMO-INSPIRED INDIE-ROCK DEBUT EP ‘WOULDN’T BE SO LUCKY’ Featuring their effervescent new single ‘Midlife’

by the partae April 29, 2022
written by the partae

The Plane Sailors EP Launch, The Zoo Brisbane on Friday April 29 

Playing with Bad Neighbour, Girl and Girl and Hanoi Traffic

Photo credit: Courtney Graham 

Having been together since 2018, Brisbane’s The Plane Sailors are back with their debut EP which fuses indie-rock, pop and a sizeable dash of emo. Proudly proclaiming themselves as the ‘world’s happiest emo band’, the witty lead single is ‘Midlife’. “It was great to have a song completely revolve around the guitars rather than the vocals, pretty chuffed to have them sound so expressive. “ Joseph Floyd (Guitar)

Sonically their new EP moves between shades of The Wombats, Blink-182 and Ball Park Music whilst at the same time demonstrating their creative energy as a young 5 piece band. Writing and producing their entire EP in their bedrooms in Brisbane, vocalist Curtis Hooper says, “This EP is really the foundation of our band now. The themes range from being pretty unlucky to being really unlucky and just battling through that.” 

EP tracklisting:

Phineas

Midlife

Strikeout

Pockets

Bell Curve

This Sights

Over the past year The Plane Sailors have ridden the wave of peaks and troughs of the music industry by releasing two singles ‘Strikeout’ and ‘The Bell Curve’. They’ve enjoyed success with airplay on Triple j Unearthed (#3 on the Indie Charts), SYN, Radio Adelaide, 2SER and 4ZZZ.

Joined by a selection of special guests, The Plane Sailors will be launching their EP ‘Wouldn’t be So Lucky’ in Brisbane on Friday, April 29. The band are thrilled to be back onstage and could never be accused for taking themselves too seriously!

“To play an such an iconic venue with the best bands in the scene right now is the fitting celebration this EP deserves” Curtis Hooper (Vocals)

“It’ll be my first show with the band and I can’t wait to cut shapes on stage” 

Kriza Canzon (Vocals)

“We can’t wait to see everyone on the stickiest floor in Brisbane” 

James Glenleft (Bass)


“I will be very sure to plug my guitar in, it makes us sound better” 

Joseph Floyd (Guitar)

“I’ve seen so many talented bands play The Zoo, so it’s an honor to get up on that stage and do something we’re really proud of” 

Zayne Woodley-Lake (Drums)

 Renowned for their live shows, shenanigans and stage antics The Plane Sailors aren’t to be missed! 

THE PLANE SAILORS EP LAUNCH

Friday April 29 The Zoo Brisbane

Playing with Bad Neighbour, Girl and Girl and Hanoi Traffic

Tickets

PRAISE FOR THE PLANE SAILORS 

“A lovely lilting chorus on this sweet guitar record from the Plane Sailors. It’s also worth leaning in to your speakers to pick up on the lyricism because there are some clever moments amongst.”

Tommy Faith, triple j Unearthed 

“Unique in their creations with diverse and bright sounding music…a tune that instantly puts a smile on your face.”

AAA Backstage

“Re-emerging this year brandishing their new sounds and direction though, The Plane Sailors have more than proven that they’re fired up and ready to go… a perfect snapshot of The Plane Sailors flying at a creative peak.”

GC Live

“Here is a group making music with nods to the past, but with what’s coming next also firmly in their sights.”

Backseat Mafia

“It’s lo-fi indie-tinged emo with layers of bright and at times, lush guitars, drums that are not over-processed, and happy-sounding melancholic vocals.”

The Point Music News

EP: ‘Wouldn’t Be So Lucky’ is released Friday April 8 

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April 29, 2022 0 comment
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Music News

Romeo Walker’s Top 5 Favourite Rap Tracks

by the partae April 28, 2022
written by the partae

With introductory singles ‘Mood’ & ‘Transformer’ inaugurating Romeo Walker as a prolific, experimental musical figurehead, Benjamin Witt (The Chemist, collaborator with Pond, Empire of The Sun & Meg Mac) has forged onward under the Walker moniker, delivering a smooth, Cuban-rock-fusion titled ‘Ketchup’, in preparation for his debut album ‘The Shape Up’. A continued evolution of sound & spirit for Romeo Walker, ‘Ketchup’ functions as a notable showcase of the additional layers within his creative palate.

Radiating warmth and vibrance from sultry guitar lines, paired with Cuban-inspired percussive elements grooving underneath,  ‘Ketchup’ is luscious & oscillating. Inspired by rap and beat poetry, Romeo Walker spits surrealistic jive talk about foredoomed characters, who are compromised by their self-indulgence and oblivion.

The following is his 5 Favourite Rap Tracks.

. Romeo Walker’s favourite rap tracks 

Nas – NY State of Mind 

I know this is kind of like saying “The White Album” is an awesome rock record, but the flow & vivid description of Nas’ NYC is too good, I have to include the masterwork. 

GZA- 4th Chamber 

Beat is hard as hell. Who’s got the hardest verse here? Very hard to say but RZA’s flow is wild. 

Pusha T, Kendrick Lamar – Nosetalgia 

Kanye’s beat is super slick, try and keep your head still. Pusha’s verse is rad and Kendrick’s verse is some serious next level rad.  

Mos Def – Mathematics 

What are we talking about here? The mighty Mos Def taking this simple mathematics concept, going in on it and flexing some elite skill whilst addressing American social issues.   

RATKING – So Sick Stories 

The atmospherics and frenetic yet laid back beat is a zone I dig. King Krule on the hook. Wiki’s voice and pocket is wild. I love the outro.

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April 28, 2022 0 comment
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Wilson Blackley

by the partae April 27, 2022
written by the partae

Where are you currently based?

I’m living in St Kilda, Naarm.

How did you first start playing music?

There was lots of music in our household growing up. My earliest memories are of driving in the car and listening to Stevie Wonder and Otis Redding. I’ve been drawn to that kind of soul music my whole life. My mum bought me a little drum kit when I was two years old. We had it set up in the loungeroom where we used to watch live gigs on the TV and play along.

Please tell us about your upbringing and how it influenced your music:

Looking back, I think that being Homeschooled really helped cultivate my passion for the music I grew up listening to. I immersed myself in 60’s and 70’s music from such a young age. I think being relatively isolated throughout highschool really helped me be confident and self about my the influences I brought into my own music when I started writing.

What’s been happening recently?

I’ve been working on a project in the studio most of the time lately. I played some awesome festivals at the start of this year. Other than that, I’m still getting the hang of how to live out on my own. It’s tricky!

Your latest single ‘Repeat Love’ is out now, what influenced the sound and songwriting?

I’d been in a writers block for a while leading up to writing ‘Repeat Love’ so I was excited when I had the idea for it. Going into record I really wanted the whole song to be about minimalism and feel. 

How did you go about writing Repeat Love?

The melodic Idea started to build in my head about one week before sitting and putting something down. I wrote it in one session and it just seemed to work. I haven’t changed any of the structure of the song since that first session which is rare for me.

Where and when did you record/produce/master and who did you work with?

I recorded this song with Sensible J at his studio in the South East of Victoria. Andrei Ermin mastered the track.

How did you approach the recording process?

We wanted this song to sound like a dry 70’s record. Recording ‘Repeat Love’ was more about J and I getting to know eachother which was an awesome experience. He’s already tought me so much about music I don’t think I would’ve heard without meeting him.

Please tell us about your experience on working with Sensible J as co-producer:

I don’t think I’ve laughed more working on a project than I have working with J. His ears and houmor are unparalleled!

Who are you listening to at the moment?

I’m listening to lots of Lady Wray and Mara TK. I’m loving Little Dragon at the moment, and all the old music I’ve always listened to because I can’t seem to get it out of my head.

Favourite food and place to hangout?

I love hanging at Sister Of Soul in St Kilda. Great food, Great coffee.

Wilson Blackley’s next headline show 
Thursday 28th April  
Old Bar, Melbourne, VIC.

https://www.instagram.com/wilson_blackley
https://www.facebook.com/WilsonBlackleyy

April 27, 2022 0 comment
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Others

HOME INSURANCE CLAIMS COSTING AUSTRALIANS ALMOST $5 BILLION A YEAR

by the partae April 27, 2022
written by the partae

New research conducted by Honey Insurance reveals the value of home insurance claims made by Australians last year  totalled $4.9 billion, with these claims leaving individuals around $1,000 out-of-pocket per claim. 

Honey is Australia’s latest Insuretech on a mission to disrupt the AU$10 billion insurance industry, currently dominated by a  small number of traditional players. Introducing smart sensor technology and proactive solutions in response to the rising  cost of insurance premiums. 

Key findings from research conducted by YouGov in April 2022 revealed: 

  • 3.3million Aussies with home insurance (30%) have made at least one claim within the past 12 months  ● A third (34%) feel regretful that they didn’t take necessary action to avoid the claim 
  • More than half of Australians with home insurance (52%) believe their current home and contents insurer does  nothing to proactively keep their homes safe, despite sinking an average of $1,386 of their hard-earned cash into  them every year. 
  • A further three in four (76%) would like insurance companies to be a lot smarter and help them proactively keep  their homes safe so that they pay as much in claims. 
  • 85% look for easy to understand policies 
  • Three quarters of Australians with home insurance don’t schedule in home maintenance checks, with half a million  Aussies admitting to avoiding any maintenance or repairs until there’s an urgent need. 
  • Nearly 50% of home claims are avoidable and utilising in-home sensor technology would significantly reduce  home claims incidents. 
  • The top three home insurance claims are due to water leakage (27%), fire (23%) and storm (22%); just some of the  mishaps smart technology can prevent by alerting potential issues before the damage is done. 
  • One of the biggest risks homeowners can face is underinsurance. Regulator ASIC found up to 80% of Australian  households could be underinsured1
  • Only 39% of Australians with home insurance have any kind of smart technology (most common: external camera,  video doorbells) to assist with security or prevention of claims 

Founded by entrepreneur Richard Joffe, the co-founder and CEO of US-based Park Assist and Stella.ai, Honey launched in  Australia in 2021 with $15.5 million in financial backing from its underwriting partner RACQ and other institutional  investors. Surprised by Australia’s “nascent” insurtech industry, Joffe believes Australians “deserve a sweeter deal,” which  is why he has named it Honey Insurance. 

Richard Joffe, Founder and CEO of Honey Insurance further explains, “Honey invests in our customers upfront to  protect them with technology, which we feel is just as important as helping with a claim. We want to show Australians how  smart technology can reduce risk in their lives, and also blow them away with ease of use. Honey is making home insurance  as easy as ordering an Uber or finding a show on Netflix” 

 

https://asic.gov.au/about-asic/news-centre/find-a-media-release/2016-releases/16-053mr-asic-calls-for-further improvements-from-home-insurers/

To bring to life its mission of turning the insurance industry on its head, Honey has created ‘Honey House,’ a 60 foot square  metre, 8.5 tonne upside down home with seven conceptual interactive rooms designed to give Australians a glimpse into the  future of insurtech. 

The activation creatively demonstrates the brand’s disruptive approach, offering an immersive and exciting space whilst also  drawing attention to areas of the home that are most at risk of claim. The interior features suspended furniture, daring decor,  mirrored optical illusions and modified household items for consumers to engage with.  

Emma Delaney, Honey House interior designer explains, “the design process for Honey House came from looking at the  brand ethos and building an interior space that would reflect this in a futuristic and conceptual way whilst remaining fun,  youthful, and stylish. 

Having most of the furniture suspended on the roof allows for the user to see more clearly into the obscure places you might  need to have sensors and further highlights the need for proactive insurance not reactive insurance.” 

Honey House Activation  

The free immersive experience opens in Sydney to the general public from Friday, 22nd April until 26th April at the Sydney  Cove Overseas Passenger Terminal, before relocating to Queensland and Melbourne. Bookings can be made online via  Eventbrite. 

About Honey:  Honey is smart home insurance, and is on a mission to eliminate the majority of avoidable accidents that happen in the home.  Customers receive $250 of technology complimentary, and ongoing services to keep homes safer when they sign up for house  and contents insurance. They are then rewarded with a lower price on their insurance for being proactive. Honey raised $15.5m,  the largest seed investment in Australian tech history at the time, from industry leaders such as AGL, Metricon, Mirvac, PEXA,  and many others. Honey is underwritten by RACQ, one of the most trusted insurance companies in Australia. 

April 27, 2022 0 comment
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Music InterviewsMusic News

Emily Clair

by the partae April 27, 2022
written by the partae

Where are you currently based? 

 

Napanee, Ontario, Canada.

 

 

How did you first start playing music?

 

My father’s side of the family is very musical and I had grown up around music and had always been exposed to it. I started singing at the age of two, I would sing myself to sleep as a child. I was in music lessons for over ten years in my early childhood, and it ended up being my passion.

 

 

What’s been happening recently?

 

Recently, I’ve got a lot of live shows coming up which is exciting because it’s been about two years with the pandemic since I’ve been able to play! I was also nominated for Roots Country Artist of the Year at the upcoming 2022 Country Music Association of Ontario Awards. Just being recognized for that is a really big accomplishment for me. I’m also starting to work towards my first full-length record, so there are a lot of exciting things on the go right now.

 

 

Your latest single ‘Kiss Strangers’ is out now, what influenced the sound and song writing?

 

I wanted to write a more upbeat song, because most of my music is a slower tempo, and this is what we had come up with. I think that it has more of a pop flare, with a sassy vibe but it’s still very much me as an artist. I wanted to be able to show my diversity, as a musician and deliver something a little more fun to my audience. 

 

 

How did “Kiss Strangers” come about?

 

It was written with two other writers – Bobbi Smith and David Borys – and it all started with a song title I had kicking around. We all dug into what the meaning of “Kiss Strangers,” would mean to us and this is what we had come up with. It was obvious that it was going to be a breakup song, by just the title alone. There was something fierce and sassy about the whole concept, and we really brought that to life in the chorus of the song.

 

 

What do you attribute most to your success with hit singles?

 

I think what makes a hit single is a catchy chorus, that’s when you know you’ve got a good song. If the hook is stuck in your head, then you’ve just nailed the most important part! 

 

 

You also have a music video for the single, where and when did you film and who did you work with?

 

The music video for “Kiss Strangers” was filmed in two locations in the Toronto area. The first spot is called Cherry Colas, a really neat burlesque bar downtown, and the second location was filmed just outside of the city in an apartment building. Believe it or not, the apartment is turned into a nightclub in the evening! Roadhouse Productions does all of my video shoots. They are a great team to work with and always know how to bring a vision to life! 

 

 

How did the concept for this video come about?

 

The video is more basic, but it is the set and location that really grabs your attention, along with the really neat graphics in the chorus! The concept is for the viewer to feel empowered and strong when they watch this video and I think we captured exactly that with the performance of the song. I did have other plans for the music video that told a little more of a story but with the pandemic it didn’t make it easy to arrange with the constant lockdowns. Overall, I’m still really stoked on how the video turned out! 

 

 

What did you most enjoy about the creative process?

 

My favourite part about the creative process during a shoot, is finding the perfect set locations that are really interesting, and go with the theme of the song.

 

 

You co-founded ‘The Songbird Series’ which is a song writing series that is focused on females in country music.  How did this come about and how has the experience been so far?

 

This came about just before the pandemic hit. It’s a female-empowered writers round, but still inclusive of males. It’s to focus on female talent because this industry lacks that. I thought it would be a great idea to bring a little Nashville to Canada, and host writers rounds here, because the talent in Ontario is undeniable! During the pandemic we did some online live shows, but now that the world is opening back up, we have our very first show in Fenelon Falls, Ontario in June at The Grove Theatre. This is a magical outdoor theatre nestled amongst the trees, and it’s the perfect spot to kick of the Songbirds series very first live show!

 

 

Who are you listening to at the moment?

 

I’m loving Nate Smith he is a true talent. I’ve also been obsessing over Maren Morris’s new album “Humble Quest.”

 

 

What do you like to do away from music?

 

I love the outdoors, ATV’s, dirt bikes and boating. I really enjoy spending my time camping, and hiking, really anything that connect me with nature.

 

 

What’s planned for 2022?

 

I’ll be continuing to work toward my new record “Stealing Hearts.”  I’ve got a lot of live shows planned, and I’m really looking forward to just getting back out there and playing live music again!

 

 

Favourite food and place to hang out?

 

I love my fiancé’s wood oven pizza; nobody makes a better pizza than him! I love to hang out in front of a nice cozy campfire, or at the lake! If I’m not there, then catch me on the couch binge-watching Netflix!

Facebook: @EmilyClairMusic
Instagram: @EmilyClairMusic
Twitter: @EmilyClairMusic

April 27, 2022 0 comment
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Velvet Bloom

by the partae April 27, 2022
written by the partae

Where are you currently based?

I live on the Mornington Peninsula in Moorooduc, it’s such a beautiful place!

How did you first start playing music?

I have always loved singing, so when I was young my mum got me a vocal coach. I started doing theatre and realised it wasn’t for me after about 6 years of shows. I began playing the guitar and writing my own songs when I was about 14 and I guess it grew from a hobby into a career from that point.

What’s been happening recently?

I’ve been sorting out a heap of shows and gearing up to tour our ‘Glimmer’ EP with the band. We have been writing lots of new music and can’t wait to get back into the studio to record!! We have also been filming with the Pure Nowhere crew to document our process of recording and releasing music!

Your latest EP ‘Glimmer’ is out now, what influenced the sound and songwriting?

This EP was mostly written throughout the 2020 lockdowns. There were many influences, however, I feel that isolation made me think about my people and how special they are to me. There are a lot of ties to community in terms of lyricism – especially in the title track, ‘Glimmer’. Solitude helped me to write and gain perspective about the things that are most important to me. I guess in my case, I’ve always held the people who I love very close to my heart and I wanted to make a body of work that reflected that. I learned a lot of life lessons throughout the pandemic and reassessed most of my relationships. You should always feel loved and supported by the people who you surround yourself with. If they don’t uplift you in any way then you should put your energy into the relationships that do. 

How did you go about writing the EP?

Writing most of the works in a global pandemic had its ups and downs. I was given time to write and refine my work but without the ability of bringing it to the band in its early stages. All of the songs were pretty much fully formed by the time the band had heard them, so we kind of bypassed that process where all the members add their own influences to the actual bones of the work. It’s crazy to see how different something can be when written with others from the beginning. I had a lot of help with arrangements from Alex (our guitarist) in the early stages and wouldn’t change a thing. Writing/ Recording music is like creating a time capsule – you can remember all of those ideas and the emotions that you felt when you were there in that headspace. It’s really special to look back and remember what led you to creating a song – sometimes tracks even develop whole new meanings to you over time but I’ve never forgotten the original intention.

Where and when did you record/produce/master?
We actually created this body of work in a lot of different spaces but Quin Grunden’s studio and Studio A in Boxhill are the two places that come to mind when I think of recording ‘Glimmer’. In the past we have hired a studio for the day and smashed out all of our parts but recording with Quin allowed us the time that we needed to refine ideas in the studio! It made the whole thing much more special!

We had the EP mixed by Edvard Hakansson when we were in a lockdown last year. Alex and I had moved up to Mount Hotham for that period of time so there were lots of zoom mixing sessions with Edvard where it was snowing outside the window behind our laptop – that was pretty special!

We had the EP mastered with Joe from Crystal Mastering and he was so wonderful – working with him was a great way to finish the project.

Please tell us about what the single ‘Glimmer’ means to you:

‘Glimmer’ is a song that was initially inspired by my mum, how much she inspires me and how much of her I see in myself. When I began reflecting on my relationship with her I began thinking of other people in my circle. I thought about my relationship to community and how the people who I admire have embedded themselves into my life. I realised that I try to reflect lots of the behaviours or values that I admire in people from my community!

When did you film the video and who did you work with?

We filmed the music video in February! I was lucky enough to work with two of my favourite people/ creatives on this project, Anthony Rennick (our bassist) and Rhys Newling! 

We had some of our good friends feature in the video including Josh Davies, Abby Strangward, Georgia Rooney, Chris Gill and Jess Newton which was super special! All of these people have been involved with the EP in some way and we wanted to shine a light on them! I was wearing pieces by The Daisy Lane and Cheeky The Label – both beautiful local fashion labels. 

What did you most enjoy about the making of the video?

It’s always so much fun creating sets, I’ve been getting into flower arranging lately so I really enjoyed making the arrangements! I love seeing the band in costume and feel as though they all get really into it as well! Working with Rhys is always such a pleasure, Rennick and I have been lucky enough to have had his assistance on things in the past but this felt like more of a collaborative vision! 

Any shows coming up?

We have our ‘Glimmer’ EP tour coming up with shows in Canberra, Forster, Brisbane, Sydney, Beechworth, Adelaide and Melbourne!!

APR 28 – SIDEWAY BAR – CANBERRA (solo)

APR 29 – MANYANA – FORSTER

APR 30 – LEFTY’S MUSIC HALL – BRISBANE

MAY 06 – LAZY BONES LOUNGE – SYDNEY

MAY 07 – TANSWELLS HOTEL – BEECHWORTH

JUN 02 – CROWN & ANCHOR – ADELAIDE

JUN 11 – TOFF IN TOWN – MELBOURNE

Who are you listening to at the moment?

I’ve loved listening to the most recent Raveena, Hiatus Kaiyote and Alice Phoebe Lou albums…   But over the past couple of weeks I’ve been really into Dijon’s album, ‘Absolutely’.

 

Favourite food and place to hangout?

I’ve been super busy lately so I’m a pretty big homebody at the moment! I really enjoy cooking and love to make Laksa and other soupy things with my housemates. We moved into an incredible new place recently so having people over for dinner and putting on a spread is always a good time in the space that we have created.

 

Velvet Bloom Facebook
Velvet Bloom Instagram
Velvet Bloom Spotify
Velvet Bloom YouTube
Velvet Bloom Bandcamp

 

April 27, 2022 0 comment
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Festival NewsMusic News

Pyramid Announces Full lineup for this year’s Ibiza Season

by the partae April 26, 2022
written by the partae
The long awaited return of Pyramid to the iconic Amnesia is now just weeks away. This year, each party starts in the daylight at 7pm and runs for a hedonistic 12 hours each and every week so you can dance from dusk till dawn. The unmissable opening party is set for June 12th with Ricardo Villalobos, Four Tet, Adam Beyer, KiNK, Lilly Palmer and Cuartero. All tickets for this sure to be explosive season are available now from amnesia.es so move fast.
The rest of the season headliners reads like a who’s who of cutting edge talent and includes Ricardo Villalobos, DJ Stingray 313, Héctor Oaks, Denis Sulta, Deborah De Luca, Praslesh, Reinier Zonneveld, The Blessed Madonna, Floating Points, Avalon Emerson, Alan Fitzpatrick, Sonja Moonear, Special Request, tINI, Seb Zito, East End Dubs, Kobosil, Len Faki, RPR Soundsystem and tens more.

The all new 3rd Dimension brings something fresh this year and offers a space to catch a carefully curated mix of both homegrown Ibiza talents and world beating superstars. The huge 2022 residents include Drumcode label head, Adam Beyer,  who will bring his big room techno to six different parties, while Italian titan Marco Faraone lines up nine times across the summer and the one and only Ricardo Villalobos is to play six special sets including a back-to-back with Luciano.
The season is packed with all killer line-ups that will see the mighty Northern Irish pair Bicep bring their critically acclaimed live show to the club, while Radio 1 will also be doing one of their legendary shows, DJ Nina Kraviz will also play, and Cocoon boss Sven Väth will also play two exclusive dates while Detroit icon DJ Stingray 313 and Berghain mainstay Ben Klock also line up. Forget what you think you know, because Pyramid’s 2022 season at Amnesia is going to be like nothing you have ever experienced before. To secure your place on the dancefloor, head to amnesia.es.

999999999 • ADAM BEYER • AIROD • ALAN FITZPATRICK • AMELIE LENS • ANNA TUR • ANDRES CAMPO • ANETHA • ARAPU • AVALON EMERSON • BEC • BEN KLOCK • THE BLESSED MADONNA • CAAL • CUARTERO • DAX J • DEBORAH DE LUCA • DENIS SULTA • DJ STINGRAY 313 • EAST END DUBS • ENZO SIRAGUSA • FATIMA HAJJI • FJAAK DJ • FLOATING POINTS • FOUR TET (EXCLUSIVE) • GABRIELLE KWARTENG • GESCU • GIANLUCA PEGOIANI • HÉCTOR OAKS • I HATE MODELS • IMOGEN • INDIRA PAGANOTTO • KINK • KOBOSIL • LEN FAKI • LILLY PALMER  • LOGIC 1000 • LUCA DONZELLI • LUCIANO • LUIGI MADONNA • MAHER DANIEL • MACEO PLEX • MAR-T • MARCO FARAONE • MATTIA TRANI • MELLA DEE • NINA KRAVIZ • O.BEE VS TOMAS STATION • PAUL WOOLFORD • PRASLESH (EXCLUSIVE) • REINIER ZONNEVELD • RICARDO VILLALOBOS (EXCLUSIVE) • RICHY AHMED  • RPR SOUNDSYSTEM (EXCLUSIVE) • SAM PAGANINI • SAMA ABDULHADI • SEB ZITO • SIDNEY CHARLES • SKREAM • SONJA MOONEAR • SPECIAL REQUEST • SQUIRE • SVEN VÄTH • SYREETA • TINI
IG: https://www.instagram.com/pyramidibiza/
FB: https://www.facebook.com/pyramidibiza/
Tickets on sale now: https://www.amnesia.es/en/promotor/pyramid
April 26, 2022 0 comment
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KRCL

by the partae April 26, 2022
written by the partae

Hey KRCL! How’s life in Germany?

A new life, a new culture…Exclting times i would say! Germany’s place in dance music culture is obvious. Although I wasn’t able to experience this culture much because I moved here during the pandemic period, it now feels like there’s much more to explore. I try to go different places every weekend to get inspired for myself and for my music.

Tell us about how you first got into music and how the journey has been so far?

I was working on my book (surreal fantasy blended with philosophy) which was published in Turkish later as -The Healer- in English) when i felt suddenly that it needs a soundtrack to bring the words to sound. I enrolled in an electronic music production course and there the whole journey started. Since then, Since that day, music has been a medium where I can convey the personal story of mine other than books. It is an honour for me to be appreciated by people for the pieces I have recently released. In addition, the fact that artists such as Oostil and Agents of Time include my pieces on their sets gives me confidence and hope for the future. I think I brought the continuation of the story in the new track.

Tell me about this new single on Ethereal Future, what was your approach for this track?

Tor Ether Neue means The Gate of New Etheral Air. The inspiration i had was one the scenes in my book which was continously playing in mind. That scene was about a gate which The Healer had to pass after a long journey of enlightment. Tor Ether Neue reflects this journey between past, present and future; from chaos to an euphoria.

What is your production setup like? Any favourite pieces of hardware you use at the moment?

I work with Ableton and a key controller. Overall, i can say i work alot with softwares but as well use some hardwares for some parts in some tracks. But sure, as a next step i will be shifting to live, so i am planning to get some to my studio.

How do you feel your sound has evolved since you first started releasing music?

As I mentioned, I started making music to have an another creative layer for my book. Today, I can say that i am so passionate about music production, it has become my passion for life: to express myself with music and search always for the better. If you look through my catalog of releases, you’ll see that tracks are not limited to any genre. I try to create something meaningful for myself first. Therefore, it allows me to have larger creative space to work with.

Are there any artists you admire that you’d like to collaborate with one day?

There are many which i like and would love to collaborate! It’s really hard to name all! But i should say i admire Hannes Bieger’s work and i hope one day we make the dream come true. Another was Minstrel which i sought alot after; that dream came true!

What moment of your career are you most proud of so far?

To be a part of the Future Forward Media; the team is far away one of the best. I would also say release of Boomerang, being featured at Mixmag and having been played with many top artists is something that i am proud of: learned a lot, learning a lot.

How do you spend your downtime outside of music?

Actually, i have a day job as an executive at a global company so no downtimes allowed :)))

What else can we expect from you in the near future?

Lots! Been working on many new tracks which are on their as well as European gigs; starting with Cinema Hall Budapest on May 6th, with Stephan Jolk.

Buy Link: https://www.beatport.com/release/tor-ether-neue/3707612

https://soundcloud.com/krcl_music

https://www.facebook.com/krclmusic/

https://www.instagram.com/krcl_arts/

April 26, 2022 0 comment
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