EMBARGOED RELEASE: Pitch Music & Arts confirm another act – THE PARTAE

Pitch Music & Arts Festival

EMBARGOED RELEASE:  TO BE RELEASED 5PM TODAY!!!

Earlier this year Pitch Music & Arts defined itself as a genre exceeding offering for electronic music festivals. Building on its now echoing precedent, Pitch Music & Arts 2018 will deliver a lineup peppered with some of the most relevant contemporary dance acts to date.

Stay aligned for the full lineup announcement on Tuesday the 3rd of October 2017.

Following the recent announcement that Len Faki will be the first artist to join Pitch Music & Arts 2018, we now welcome The Black Madonna

In December of 2012, North America’s oldest independent venue, Smart Bar announced the The Black Madonna as their resident, along withDerrick Carter and Frankie Knuckles. Within a year, she became the club’s first ever Creative Director in its three decade history, bringing a decidedly anti-establishment philosophy to her curatorial style. Her retooled residency program reflects a distinct set of values, addingHoney Soundsystem, DVS1Regis, Honey Dijon and transgressive events such as Men’s Room to an already diverse offering.

It’s easy to see why the American was selected as Mixmag’s DJ of the Year: She is a sublime technician behind the decks, and her fluent and dynamic vinyl sets can span from disco to techno. And then of course, there’s her inimitable and infectious ability to connect with any dance floor, which along with her technical skills, has cemented her as a beloved regular and crowd favourite across the globe.

Watch The Black Madonna’s Boiler Room set here

Pitch Music & Arts Festival 2018
Friday 10th March – Monday 12th March

Location
Mafeking, Victoria

Tickets available from
www.pitchfestival.com.au 

Limited pre-sale to existing customers from: 
Thursday 5th October 2017

General Public sales from:
Wednesday 11th October 2017

Lineup
The Black Madonna (USA)
Len Faki (GER)
+ more TBA

Full lineup announcement
Tuesday 3rd October 2017

Come join our border community.

THE PARTAE

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